The Complete Idiot's Guide to Independent FilmmakingPenguin, 2. 8. 2005. - 384 страница You ought to be making pictures. Designed for people who want to tell a story their way, The Complete Idiot’s Guide® to Independent Filmmaking explains everything a budding auteur needs to know—from literary development and financial and organizational pre-production to principal photography production, post-production assembly, exhibition and distribution, and more. • The advent of desktop editing and a wide range of consumer cameras enable the average person to create a “film studio” at home. • A great “textbook” for novice filmmakers, whether film students or on-their-own auteurs. • The proliferation of film festivals around the world, many of which encourage submissions from “amateur” filmmakers, shows there are countless filmmakers who aren’t learning the ropes in school. • Author has terrific credentials and has a feature-length script in development in Hollywood. |
Садржај
1 | |
11 | |
Lets Make a Movie | 21 |
Film Ideas | 29 |
Story Elements | 37 |
Communicating Your Story | 49 |
Communicating Your Intentions | 61 |
Buddy Can You Spare a Dime? PreProduction | 77 |
Ready for My CloseUp Production | 177 |
Camera and Lens | 191 |
Cinematography | 205 |
Location Sound | 221 |
Taking Care of | 233 |
Dont Worry Well Fix It in PostProduction | 241 |
Sound Design | 257 |
Titles and Credits | 279 |
Script Breakdown | 89 |
PreVisualization | 99 |
Your Crew | 115 |
Your Cast | 125 |
Location Scouting | 135 |
Production Design and Art Direction | 145 |
Scheduling Your Film | 153 |
Budgeting Your Film | 165 |
Finishing Up | 289 |
And the Winner Is Exhibition Distribution | 299 |
Interviews | 311 |
Finding an Audience | 317 |
Youre a Filmmaker Now | 327 |
Appendixes | 333 |
Друга издања - Прикажи све
Чести термини и фразе
able action actors allow appear audience become begin better budget called camera cast Chapter characters color common consider copy costs create credits crew dialogue direction director editing effects example expensive experience eyes feel festivals figure film filmmaker final Focus format frame give head hear Hollywood idea important independent individual interested interview it's keep kind least less light look material means move movie narrative never once person pitch possible prepare production recording release require scene screen script shoot short shot simply situations someone sometimes sound space specific Staying story sure talk tell theme there's things track usually visual watch writing you'll you're