Film & Religion: An IntroductionAbingdon Press, 1. 6. 2007. - 306 страница How major-release films use religion to tell stories and convey messages Focusing on American major-release films since World War II, the authors show how films use religious imagery, characters, and symbolism from primarily Christian, but also, Buddhist, Hindu, Jewish, and Islamic traditions. Ideal for classroom use, each chapter analyzes significant contextual issues through the lens of select films. The authors post their ongoing ideas in their blog at http://filmandreligion.blogspot.com. |
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action Adam Agnes alien American appears attempt audience Averroës Barabbas baseball becomes belief biblical book’s Buddhism Caiaphas cartoon Chaim character Christ Christian church Cold War Commandments communist context culture Danny death DeMille depiction disciples divine earth emphasized enlightenment Exodus faith fanatics father Field of Dreams film film’s freedom God’s Gospels Grinch Grinch Stole Christmas Hersh human interpretation Islam Israelites Jesus Jewish Jews John John’s Judaism Judas Junuh Karras King of Kings Klaatu Last Temptation Little Buddha Lord Marcellus millennial modern Moses Muslim narrative Norbu Parvez Passion peace Pilate Pilate’s portrayal portrayed priests Puritans question Rameses Reb Saunders Regan religion religious Reuben reveals role Roman Rome Satan says scene Scripture secular Son the Fanatic Sonny Sonny’s Soviet story suffering suggests supernatural Superstar symbol targumic Ten Commandments tion Torah truth understand viewers violence vision weapons words World War II