The Soul's Code: In Search of Character and CallingRandom House Publishing Group, 6. 2. 2013. - 352 страница “[An] acute and powerful vision . . . offers a renaissance of humane values.”—Thomas Moore, author of Care of the Soul and The Re-Enchantment of Everyday Life Plato called it “daimon,” the Romans “genius,” the Christians “guardian angel”; today we use such terms as “heart,” “spirit,” and “soul.” While philosophers and psychologists from Plato to Jung have studied and debated the fundamental essence of our individuality, our modern culture refuses to accept that a unique soul guides each of us from birth, shaping the course of our lives. In this extraordinary bestseller, James Hillman presents a brilliant vision of our selves, and an exciting approach to the mystery at the center of every life that asks, “What is it, in my heart, that I must do, be, and have? And why?” Drawing on the biographies of figures such as Ella Fitzgerald and Mohandas K. Gandhi, Hillman argues that character is fate, that there is more to each individual than can be explained by genetics and environment. The result is a reasoned and powerful road map to understanding our true nature and discovering an eye-opening array of choices—from the way we raise our children to our career paths to our social and personal commitments to achieving excellence in our time. Praise for The Soul’s Code “Champions a glorious sort of rugged individualism that, with the help of an inner daimon (or guardian angel), can triumph against all odds.”—The Washington Post Book World “[A] brilliant, absorbing work . . . Hillman dares us to believe that we are each meant to be here, that we are needed by the world around us.”—Publishers Weekly |
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... writer Colette, we find that she, too, was fascinated by the instruments of her craft. Unlike Menuhin's fate, which pounced like a tiger, hers, more like a French cat on the windowsill, watched and waited, deviating her own necessity to ...
... writer Colette, we find that she, too, was fascinated by the instruments of her craft. Unlike Menuhin's fate, which pounced like a tiger, hers, more like a French cat on the windowsill, watched and waited, deviating her own necessity to ...
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... write. Although in her sixth year and well able to read, she “refused to learn to write.” No, I would not write, I did not want to write. When one can read, can penetrate the enchanted realm of books, why write?... in my youth I never ...
... write. Although in her sixth year and well able to read, she “refused to learn to write.” No, I would not write, I did not want to write. When one can read, can penetrate the enchanted realm of books, why write?... in my youth I never ...
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... write out her speech first, “but it made more sense to me just to say what I wanted to say, 'speeches from my head.'”12 The future life does not have to arrive so overtly. Golda Meir, a woman of determination and leadership, came right ...
... write out her speech first, “but it made more sense to me just to say what I wanted to say, 'speeches from my head.'”12 The future life does not have to arrive so overtly. Golda Meir, a woman of determination and leadership, came right ...
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... writer who was awarded a Nobel Prize for literature in 1981. My father read the ... Neue Freie Presse every day; it was a ... write. She solemnly opened the notebook in front of me; it contained letters of the alphabet in blue ink, they ...
... writer who was awarded a Nobel Prize for literature in 1981. My father read the ... Neue Freie Presse every day; it was a ... write. She solemnly opened the notebook in front of me; it contained letters of the alphabet in blue ink, they ...
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... writing, they were one and the same for me. She lifted her arms with the notebooks far over her head ... up on the ... writer? Franco had to be as physically tough as any cadet in the school. Barbara McClintock and Yehudi Menuhin ...
... writing, they were one and the same for me. She lifted her arms with the notebooks far over her head ... up on the ... writer? Franco had to be as physically tough as any cadet in the school. Barbara McClintock and Yehudi Menuhin ...
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3 | |
Neither Nature nor NurtureSomething Else | |
Penny Dreadfuls and Pure Fantasy | |
Disguise | |
Fate | |
The Bad Seed | |
Mediocrity | |
A Note on Methodology | |
Dedication | |
Bibliography | |
Other Books by This Author | |
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acorn theory American angel archetypal Archetypal Psychology asked Bad Seed Barbara McClintock beauty become behavior believe belong biography calling chapter character child childhood culture daimon death demonic destiny Diane Arbus disguises divine doppelgänger early eminent environment evil extraordinary fantasy fate father feeling fiction genes genetic genius Goertzel Golda Meir heart Heraclitus Hitler human idea identical twins imagination individual Ingmar Bergman intuition invented invisible James James Hillman Josephine Baker Judy Garland lives loneliness look love map Manolete means mediocrity mentor mind mother myth mythical nature Necessity never nurture obsessive one’s parental fallacy pattern perception person Plato Plomin Plotinus Press psychology Psychopathic rituals Robert Plomin romantic love sense soul soul’s story style T. S. Eliot teacher teleology things unique Univ unshared visible vision what’s write York