STUDIES FROM THE ANTIQUE. 1864. PREFACE TO THE SECOND EDITION. WHEN the first edition of Studies from the Antique' was published, the Author was in America, and had no opportunity of learning distinctly what opinions the infallible reviewers had passed upon his work. He never heard what good, if any, was said of it, but was informed very naturally, though quite incidentally, that certain sledge-hammer critics-amiable cynics and weekly snarlers-had utterly misunderstood the meaning of the poems, and attributed to him either an ignorance of the mythology of Greece, or a perversion of that mythology to a purpose at variance with its essential spirit; and that one great professor of the art of making a dinner out of pickles and mustard, without beef, had been pleased to express himself as especially dissatisfied with the mention of the river Meander in the poem entitled Marsyas.' On the principle of Fas est ab hoste doceri, as well as out of deference to superior geographical memory, the Author has put himself right with regard to the offended stream, and omitted all mention of it in a passage where its presence was by no means necessary. With regard to the incapacity of his censors to discover his purpose in making the myths of old civilization the medium of expressing the truths that are neither new nor old, but that flourish in immortal youth in all ages and countries, he cannot but say that the particular millstone was not very difficult to see through, and that it had a large hole in its centre, through which the most shortsighted might have been enabled to look, if they had taken the trouble. The ideas that underlie the beautiful mythology of Greece spring from fountains that are perpetually flowing in the human mind. The spiritual truths which they embody are always latent in the imagination of thoughtful men in all ages. The idea of 'Fate'-good to the good, and bad to the bad, as portrayed in the Vision of Thales on the Judgment-Seat; of Proteus, as the embodiment of poetic genius; of a Golden Age, passed away to return no more, but leaving Eternal Justice to rule the world, as described in Astrea; of indomitable will rising superior to Fate, as shadowed forth in Enceladus; of the blessing and beauty of Death, as pictured in Chiron; of the futility and inutility of gold, as compared with health and the enjoyment of life, as set forth in the Wish of Midas;-all these are as pertinent to the nineteenth century after, as they were to the ninth or to the nineteenth before the Christian era, and recommend themselves to the intellect and the heart of one age as completely as to those of any other. Such truths are independent of time and change: the essence remains the same, though the forms they assume may vary. The Greeks knew nothing (as far as we can discover) of geology, or of that theory of modern science which supposes that the ocean was once the dry land, and the dry land the ocean, and that these permutations follow a certain and invariable law, which converts the pole into the equator, and the equator into the pole, in countless and almost unimaginable spaces and gulfs of time; yet the Author considers that the sea-nymph Dynamene may not inaptly be made the medium by which the idea may be conveyed, in a manner different from that employed by science, though quite as correct, and possibly more suggestive and attractive. The poems, such as they are, were written in the most reverent spirit—not as finding new meanings in the old myths, but suggesting that, out of the infinite interpretations of which they are susceptible, some might happen to fit the sorrows and the aspirations, and record the experience, of our time. LONDON, February, 1867. THE EUMENIDES: A VISION OF THALES. I, THALES, sitting on the seat of Judgment, Beheld a vision. Suddenly before me, Instead of busy mart and swarming people, A mountain summit, bathed in light Eternal, 'Mid which there stood, each touching close the other, 1 In robes of gray, with crowns upon their foreheads, Most beautiful they were, but sad and solemn. Of their inscrutable will, on which for ever And evermore they turn'd their inward glances. All right or power to lessen or avert it. I gazed with awe-not terror-at their It roll'd and whirl'd. Moving each one her And I beheld the maidens foot, as on a treadle; And, dimly glittering in the icy sunshine, Three filmy threads, that met beneath their footstools, Suspicious of my reason, or mine eyesight, I watch'd; and suddenly, with dull effulgence, It glimmer'd into shape and palpable substance; Huge as a planet wandering from its orbit, The three calm sisters saw me not, nor heeded: And an old man, bow'd down with care and sorrow, 'See!' said the child, and pluck'd me by the garments, The old man sigh'd: "They look on me reproachfulThey speak to me, although thou canst not hear them, And tell me of my miserable errors— My promise unfulfill'd-my glory tarnish'd My opportunities misused, perverted, And lost for ever! More than this; they tell me Of grievous wrong committed, unatoned for- 'Behold the Sisters Three!' a soft voice whisper'd, Far in the upper air, or in my spirit: 'Behold the Fates! the dreadful yet auspicious; I bow'd my head in silent adoration, Why they were Three? The same still voice responded— He oweth to the gods;-and he who blindly, Must pay the penalty in pain and sorrow. Who breaks the physical law, that law condemns him ; The still voice spake no more-my soul was silent, The Fates are as we make them. ASTRÆA; OR, THE DEPARTURE OF THE GODS. THERE pass'd a shadow on the noonday sun, The mountaineer stood sunward on the cliff, From deepest gloom of overhanging boughs That they might gaze upon the ominous Noon; Far on the Euxine and Egean seas The gods and nymphs had sorrows of their own There was a sense of pain upon the world: The trembling lion herded with the kine; The Darkness gather'd ;-darker at full Noon Who hoped or pray'd; and some few babes that slept. Light broke at last; a sudden haze of beams: Lurid and fitful;-now like tongues of flame, Speaking in thunder; now like blazing stars Cast from their place, and reeling to the Earth, In fellowship of ruin; now like swords Unsheath'd, titanic, from Orion's belt, And splintering into comets as they clash'd; Now shooting up o'er all the western sky In one pale, solemn, luminous Cross of Fire That fill'd the Universe with tender light, And made men hopeful-though they knew not why. It gleam'd, it shone, it dimm'd, it disappear'd! But left behind o'er all the purpling Heaven The mellow twilight of a coming Day, On which were shadow'd as on Magic Glass Phantasmal multitudes, and warring hosts Of stature huge; huger a hundred-fold Than white-peak'd Atlas, Alp, or AraratWho wheel'd, and reel'd, and struggled hand to hand For mastery and dominion, and sole power Over the Earth and Men. Perchance for Truth, Perchance for Falsehood, strove the combatants; But whether Truth or Falsehood, Right or Wrong, |