Virtue's Own Feature: Shakespeare and the Virtue Ethics TraditionUniversity of Delaware Press, 1995 - 260 страница "Using an historical approach, Virtue's Own Feature explores nine of Shakespeare's most successful works as representations of the passions, virtues, and vices as they are complexly and extensively set out by Aristotle and Thomas Aquinas." "The work first undertakes to describe the late Elizabethan poetic of Sir Philip Sidney, which is demonstrated to be Shakespeare's poetic as well. Second, this study explores Shakespeare's plays in relation to the Aristotelian-Thomistic tradition of moral philosophy, one important branch of a major sixteenth-century philosophical tradition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Страница 68
... fear , arises from the imaginative apprehension of future evil difficult to avoid ( 1a2ae 41.2 ) . Although Aquinas quotes at least three times Aristotle's remark that " fear arises from the representation of a future evil [ ex ...
... fear , arises from the imaginative apprehension of future evil difficult to avoid ( 1a2ae 41.2 ) . Although Aquinas quotes at least three times Aristotle's remark that " fear arises from the representation of a future evil [ ex ...
Страница 131
... fear and daring . The development of Mac- beth's character , its complex decline from the virtue of magnanimous courage to the vice of ambition and the passion of fear defines the course of the play's action itself . ― Aristotle's ...
... fear and daring . The development of Mac- beth's character , its complex decline from the virtue of magnanimous courage to the vice of ambition and the passion of fear defines the course of the play's action itself . ― Aristotle's ...
Страница 135
... fear and ruthless daring on the part of the protagonist become Shakespeare's central preoccupation for the remainder ... fear . From the standpoint of the viewing audience , then , Duncan's murder is an offstage event , the absent object ...
... fear and ruthless daring on the part of the protagonist become Shakespeare's central preoccupation for the remainder ... fear . From the standpoint of the viewing audience , then , Duncan's murder is an offstage event , the absent object ...
Садржај
Preface | 9 |
Acknowledgments | 15 |
Sidneys Apology and Shakespeares Poetic | 21 |
Ауторска права | |
други делови (10) нису приказани
Чести термини и фразе
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