Selections from the Writings of John RuskinJ. Wiley, 1868 - 479 страница |
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Страница i
... character , as essays on art , is their bringing everything to a root in human passion or human hope . Arising first not in any desire to explain the principles of art , but in the endeavour to defend an individual painter from ...
... character , as essays on art , is their bringing everything to a root in human passion or human hope . Arising first not in any desire to explain the principles of art , but in the endeavour to defend an individual painter from ...
Страница vii
... Character of Rubens , The False Ideal of Landscape , Aims of Landscape Painter , Characteristics of Claude , Characteristics of N. Poussin , Wouvermans and Angelico , Dutch Landscape Painters , Peasant Boys of Murillo and William Hunt ...
... Character of Rubens , The False Ideal of Landscape , Aims of Landscape Painter , Characteristics of Claude , Characteristics of N. Poussin , Wouvermans and Angelico , Dutch Landscape Painters , Peasant Boys of Murillo and William Hunt ...
Страница 3
... character pecu- * To obtain room for the goods , the roofs slope steeply , and their other dormer windows are richly carved - but all are of wood ; and , for the most part , I think , some hundred years later than Durer's time . A large ...
... character pecu- * To obtain room for the goods , the roofs slope steeply , and their other dormer windows are richly carved - but all are of wood ; and , for the most part , I think , some hundred years later than Durer's time . A large ...
Страница 10
... character of the Swiss ; but take its inhabitants all in all , as with deep love and stern pen- etration they are painted in the works of their principal writer , Gotthelf , and I believe we shall not easily find a peasantry which would ...
... character of the Swiss ; but take its inhabitants all in all , as with deep love and stern pen- etration they are painted in the works of their principal writer , Gotthelf , and I believe we shall not easily find a peasantry which would ...
Страница 11
... or uninterrupted fulness of mountain character ( and that of the highest order ) , or which appears to have been less dis- turbed by foreign agencies , than that which borders the SCENES OF TRAVEL . 11 Mountains of Savoy,
... or uninterrupted fulness of mountain character ( and that of the highest order ) , or which appears to have been less dis- turbed by foreign agencies , than that which borders the SCENES OF TRAVEL . 11 Mountains of Savoy,
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Alps Apennines arch architect architecture artist bas-reliefs beauty beneath blue boughs building campanile Canaletto cast character chiaroscuro church clouds colour Correggio Covent Garden creature dark decoration deep delight dust earth evil expression feeling flowers foam give Gothic Gothic architecture grace grass Greek green grey ground hand heart heaven hills honour human imagination invention Italy kind labour landscape laws leaves Lect less lichen light living look marble masses mean mediæval mind mountain Murano nature ness never noble ornament painter painting palace pathetic fallacy Paul Veronese perfect perhaps Perugino picture pleasure pre-Raphaelite purple Rembrandt rocks roof sculpture seen sense shadow side soul spirit stone strange strength things thought tion Titian towers traceries trees true truth Venetian Venice vulgar walls waves whole wild wind word
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Страница 367 - A servant with this clause makes drudgery divine; who sweeps a room, as for thy laws, makes that and the action fine.
Страница 339 - For he is the Lord our God : and we are the people of his pasture, and the sheep of his hand.
Страница 41 - ... an endless network of buds and plumes ; and, in the midst of it, the solemn forms of angels, sceptred, and robed to the feet, and leaning to each other across the gates, their figures indistinct among the gleaming of the golden ground through the leaves beside them, interrupted and dim, like the morning light as it faded back among the branches of Eden, when first its gates were angel-guarded long ago.
Страница 300 - We have no right whatever to touch them. They are not ours. They belong partly to those who built them, and partly to all the generations of mankind who are to follow us.
Страница 463 - I have rejoiced in the way of thy testimonies, as much as in all riches.
Страница 60 - Who saw the dance of the dead clouds where the sunlight left them last night, and the west wind blew them before it like withered leaves? All has passed unregretted as unseen; or if the apathy be ever shaken off even for an instant, it is only by what is gross, or what is extraordinary. And yet it is not in the broad and fierce manifestations of the elemental energies, nor in the clash of the hail, nor the drift of the whirlwind, that the highest characters of the sublime are developed. God is not...
Страница 449 - I find this conclusion more impressed upon me, — that the greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way.
Страница 194 - FINE ART is that in which the hand, the head, and the heart of man go together.
Страница 477 - The law of nature is, that a certain quantity of work is necessary to produce a certain quantity of good, of any kind whatever. If you want knowledge, you must toil for it; if food, you must toil for it; and if pleasure, you must toil for it.