Selections from the Writings of John RuskinJ. Wiley, 1868 - 479 страница |
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Страница viii
... Roof , · Architectural Ornament , Subjects for Ornament , Redundant Ornament , Naturalism of Gothic Work , Law of Decoration , Decorative Art , Room Decoration , • Railroad Stations , Misplaced Ornament , True Ornament , Test of Good ...
... Roof , · Architectural Ornament , Subjects for Ornament , Redundant Ornament , Naturalism of Gothic Work , Law of Decoration , Decorative Art , Room Decoration , • Railroad Stations , Misplaced Ornament , True Ornament , Test of Good ...
Страница 3
... roof , namely , its warehouse windows . Every house , almost without exception , has at least one boldly opening dormer window , the roof of which sustains a pulley for raising goods ; and the under part of this strong overhanging roof ...
... roof , namely , its warehouse windows . Every house , almost without exception , has at least one boldly opening dormer window , the roof of which sustains a pulley for raising goods ; and the under part of this strong overhanging roof ...
Страница 13
... roof , dark night , laborious day , weary arm at sunset ; and life ebbs away . No books , no thoughts , no attainments , no rest ; except only sometimes a little sitting in the sun under the church wall , as the bell tolls thin and far ...
... roof , dark night , laborious day , weary arm at sunset ; and life ebbs away . No books , no thoughts , no attainments , no rest ; except only sometimes a little sitting in the sun under the church wall , as the bell tolls thin and far ...
Страница 25
... and extricate ourselves from the cushions ; the sea air blows keenly by , as we stand leaning on the roof of the floating cell . In front , nothing to be seen but long canal and level bank ; to 2 SCENES OF TRAVEL . 25.
... and extricate ourselves from the cushions ; the sea air blows keenly by , as we stand leaning on the roof of the floating cell . In front , nothing to be seen but long canal and level bank ; to 2 SCENES OF TRAVEL . 25.
Страница 27
... roofing and iron girder , there were few moments of which the recollection was more fondly cherished by the trav- eller , than that which , as I endeavoured to describe in the close of the last chapter , brought him within sight of ...
... roofing and iron girder , there were few moments of which the recollection was more fondly cherished by the trav- eller , than that which , as I endeavoured to describe in the close of the last chapter , brought him within sight of ...
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Alps Apennines arch architect architecture artist bas-reliefs beauty beneath blue boughs building campanile Canaletto cast character chiaroscuro church clouds colour Correggio Covent Garden creature dark decoration deep delight dust earth evil expression feeling flowers foam give Gothic Gothic architecture grace grass Greek green grey ground hand heart heaven hills honour human imagination invention Italy kind labour landscape laws leaves Lect less lichen light living look marble masses mean mediæval mind mountain Murano nature ness never noble ornament painter painting palace pathetic fallacy Paul Veronese perfect perhaps Perugino picture pleasure pre-Raphaelite purple Rembrandt rocks roof sculpture seen sense shadow side soul spirit stone strange strength things thought tion Titian towers traceries trees true truth Venetian Venice vulgar walls waves whole wild wind word
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Страница 367 - A servant with this clause makes drudgery divine; who sweeps a room, as for thy laws, makes that and the action fine.
Страница 339 - For he is the Lord our God : and we are the people of his pasture, and the sheep of his hand.
Страница 41 - ... an endless network of buds and plumes ; and, in the midst of it, the solemn forms of angels, sceptred, and robed to the feet, and leaning to each other across the gates, their figures indistinct among the gleaming of the golden ground through the leaves beside them, interrupted and dim, like the morning light as it faded back among the branches of Eden, when first its gates were angel-guarded long ago.
Страница 300 - We have no right whatever to touch them. They are not ours. They belong partly to those who built them, and partly to all the generations of mankind who are to follow us.
Страница 463 - I have rejoiced in the way of thy testimonies, as much as in all riches.
Страница 60 - Who saw the dance of the dead clouds where the sunlight left them last night, and the west wind blew them before it like withered leaves? All has passed unregretted as unseen; or if the apathy be ever shaken off even for an instant, it is only by what is gross, or what is extraordinary. And yet it is not in the broad and fierce manifestations of the elemental energies, nor in the clash of the hail, nor the drift of the whirlwind, that the highest characters of the sublime are developed. God is not...
Страница 449 - I find this conclusion more impressed upon me, — that the greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way.
Страница 194 - FINE ART is that in which the hand, the head, and the heart of man go together.
Страница 477 - The law of nature is, that a certain quantity of work is necessary to produce a certain quantity of good, of any kind whatever. If you want knowledge, you must toil for it; if food, you must toil for it; and if pleasure, you must toil for it.