Selections from the Writings of John RuskinJ. Wiley, 1868 - 479 страница |
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Страница 38
... traceries , though they are rude and strong , and only sees like a drift of eddying black points , now closing , now scattering , and now settling suddenly into invisible places among the bosses and flowers , the crowd of restless birds ...
... traceries , though they are rude and strong , and only sees like a drift of eddying black points , now closing , now scattering , and now settling suddenly into invisible places among the bosses and flowers , the crowd of restless birds ...
Страница 78
... traceries of intricate silver , and fringes of amber , lustrous , arborescent , burnished through every fibre into fitful brightness and glossy traverses of silken change , yet all sub- dued and pensive , and framed for simplest ...
... traceries of intricate silver , and fringes of amber , lustrous , arborescent , burnished through every fibre into fitful brightness and glossy traverses of silken change , yet all sub- dued and pensive , and framed for simplest ...
Страница 135
... traceries of the eyelash , and infinite modulations of the brow , wherein high humanity is embodied , are all invisible to him . He finds himself driven back at last , with all his idealism , to the lionne of the ball - room , whom ...
... traceries of the eyelash , and infinite modulations of the brow , wherein high humanity is embodied , are all invisible to him . He finds himself driven back at last , with all his idealism , to the lionne of the ball - room , whom ...
Страница 217
... traceries than an architect could draw in a summer's day . There are few men in the world who could design a Greek capital ; there are few who could not produce some vigour of effect with leaf de- signs on a Bazantine block : few who ...
... traceries than an architect could draw in a summer's day . There are few men in the world who could design a Greek capital ; there are few who could not produce some vigour of effect with leaf de- signs on a Bazantine block : few who ...
Страница 231
... traceries will change ; if the traceries are monotonous , the capitals will change ; and if even , as in some fine schools , the early English for example , there is the slightest approximation to an unvarying type of mouldings ...
... traceries will change ; if the traceries are monotonous , the capitals will change ; and if even , as in some fine schools , the early English for example , there is the slightest approximation to an unvarying type of mouldings ...
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Alps Apennines arch architect architecture artist bas-reliefs beauty beneath blue boughs building campanile Canaletto cast character chiaroscuro church clouds colour Correggio Covent Garden creature dark decoration deep delight dust earth evil expression feeling flowers foam give Gothic Gothic architecture grace grass Greek green grey ground hand heart heaven hills honour human imagination invention Italy kind labour landscape laws leaves Lect less lichen light living look marble masses mean mediæval mind mountain Murano nature ness never noble ornament painter painting palace pathetic fallacy Paul Veronese perfect perhaps Perugino picture pleasure pre-Raphaelite purple Rembrandt rocks roof sculpture seen sense shadow side soul spirit stone strange strength things thought tion Titian towers traceries trees true truth Venetian Venice vulgar walls waves whole wild wind word
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Страница 41 - ... an endless network of buds and plumes ; and, in the midst of it, the solemn forms of angels, sceptred, and robed to the feet, and leaning to each other across the gates, their figures indistinct among the gleaming of the golden ground through the leaves beside them, interrupted and dim, like the morning light as it faded back among the branches of Eden, when first its gates were angel-guarded long ago.
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Страница 477 - The law of nature is, that a certain quantity of work is necessary to produce a certain quantity of good, of any kind whatever. If you want knowledge, you must toil for it; if food, you must toil for it; and if pleasure, you must toil for it.