Myrt, strolling into Martha's room one evening, as was her wont, found that severe-faced lady suspiciously red-eyed. Even Myrt, the unimaginative, sensed that some unhappiness had Martha in its grip.

"What's matter?"

"Oh, I don't know. Kinda lonesome, I guess. What's the news down at your place?"

"News! Nothing ever happens in our office. Honestly, some days I think I'll just drop dead, it's so slow. I took three hours dictation from Hubbell this morning. He's writing the 'Dangers of Dora' series, and I almost go to sleep over it. He's got her now where she's chained in the cave with the tide coming up, on a deserted coast, and nobody for miles around. I was tickled to death when old Slezak called me away to fill out the contract blanks for him and Willie Kaplan. Kaplan's signed up with the Slezak's for three years at a million and a half a year. He stood over me while I was filling it out-him and his brother Gus-as if I was going to put something over on 'em when they weren't looking."

"My land! How exciting! It must be wonderful working in a place like that.”

Myrt yawned, and stretched her round young arms high above her head.

"I don't see anything exciting about it. Of course it isn't as bad as your job, sitting there all day, sewing and mending. It isn't even as if you were sewing on new stuff, like a dressmaker, and really making something out of it. I should think you'd go crazy, it's so uninteresting."

Martha turned to the window, so that her face was hidden from Myrt. "Oh, I don't know. Darning socks isn't so bad. Depends on what you see in 'em."

"See in 'em!" echoed Miss Myrtle Halperin. "See! Well for

the love of heaven what can you see in mending socks, besides holes!"

Martha did not answer. Myrt, finding things dull, took herself off, languidly. At the door she turned and looked back on the stiff little figure seated in the window with its face to the gray twilight.

"What's become of your friend What's-his-name that you used to darn socks for at home? Grant, wasn't it? Eddie Grant?"

"That was it," answered Martha. "He's married. He and his wife, they've got to visit Eddie's folks back home, on their wedding trip. I miss him something terrible. He was just like a son to me.'

Edna Fubre

A

THOSE WHO WENT FIRST

DISTANT bugle summoned them by day,

A far flame beckoned them across the night.
They rose-they flung accustomed things away,-
The habit of old days and new delight.

They heard they saw-they turned them over-seas,—
Oh, Land of ours, rejoice in such as these!

This was no call that sounded at their door,
No wild torch flaming in their window space,-
Yet the quick answer went from shore to shore,
The swift feet hastened to the trysting place,
Laughing, they turned to death from peace and ease,—
Oh, Land of ours, be proud of such as these!

High hearts-great hearts-whose valor strikes for us
Out of the awful Dissonance of war

This perfect note,-in you the chivalrous
Young Seekers of the Grail re-live once more,-
Acclaimed of men, or fallen where none sees,
Oh, Land of ours, be glad of such as these!

A SUMMER'S DAY

NCE I wrote a story of a woman's day in Paris, a Perfect

ON

Day. It had to do with the buying of all the lovely trappings that are the entrappings of the animal which Mr. Shaw believes woman endlessly pursues. One of the animals was in the story, and there was food and moonlight, music and adventure.

I never sold that marvelous tale. For years it has peeked out at me from a certain pigeon hole in my desk with the anguish of a prisoner in the Black Hole of Calcutta, and with as little hope for its liberation into the glad air of a free press. Yet it is with me now in Paris. In that last distracted moment of packing, when all sense of what is needed has left one, it was thrust into a glove case like contraband cigarettes. There may have been some idea of remolding it with a few deceiving touches-make a soldier of the hero probably-but with the "love interest" firmly remaining. There was only one Perfect Day to a woman, I thought.

That was some weeks ago. I am now writing on the back of that romance for lack of paper, writing of another day, wondering as I work if the present day's adventures will have any quality that might hold the reader's eye. I dare not ask for the reader's heart when love does not stalk through the pages.

Paris is now an entrenched camp but one is not awakened by bugles, and the beat of drums is unheard as the troops march through the city. It was the regular "blump-blump" of military boots past my window which possibly aroused me into activity, although the companies crossing from station to cantonment no longer turn the head of the small boy as he rolls his hoop along the Champs Élysées. This troubles me, and I always go to the curb to watch them when I am in the street.

From the Original Water Color

By Walter Hale