A Critical Edition of "The Comical History of Francion" (1655)Chicago Spectrum Press, 2005 - 354 страница "This edition of 'The Comical History of Francion' (1655) provides the reader with a version in modern English and compares it to the French original, 'La vraie histoire comique de Francion' (1633)" -- Introduction, p. 7. |
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Страница 10
... moral lessons of the work and then the role of the muse : " Yet , Muse , although I grant you are too weak / Of all with a due Elogy to speak / You , with assurance of applause may say / Wright writes best English , as Best , French ...
... moral lessons of the work and then the role of the muse : " Yet , Muse , although I grant you are too weak / Of all with a due Elogy to speak / You , with assurance of applause may say / Wright writes best English , as Best , French ...
Страница 15
... Moral i.cffons , as well fitted for the entertainment of the Graveft Head , as the Lightest Heart , B Monfieur De Moulines , Sieur DE PAR C , 2 LORAIN Gentleman . Horát . Serm . Lib . 2 . Omne vafer vitium ridenti tangit amico . Donc ...
... Moral i.cffons , as well fitted for the entertainment of the Graveft Head , as the Lightest Heart , B Monfieur De Moulines , Sieur DE PAR C , 2 LORAIN Gentleman . Horát . Serm . Lib . 2 . Omne vafer vitium ridenti tangit amico . Donc ...
Страница 353
... Moral by R. Loveday , Gent . The late translator of the First three parts of Cleopatra . Printed by J. G. for Nath . Brook , at the Angel in Cornhill . London : 1662. Links Loveday with Major Wright in many ways . Also , a specific ...
... Moral by R. Loveday , Gent . The late translator of the First three parts of Cleopatra . Printed by J. G. for Nath . Brook , at the Angel in Cornhill . London : 1662. Links Loveday with Major Wright in many ways . Also , a specific ...
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Title Pages from 1655 and 1661 Editions 1518 | 15 |
To Francion | 21 |
Books 112 25332 | 332 |
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according acquainted affection afterwards alliteration answer appear arms assured beauty began believe better body brought called carried cause chamber Clerantes commanded conceived continued court delight demanded desire discourse discover door eyes fair father favour fear follow Francion French friends Garavini gave give given hand head hear heard heart honour Hortensius humour imagine immediately Italy king knew ladies least leave live lodging look manner master means mistress Nais never nevertheless night observed passed perceived persons piece play pleased pleasure present promised Raymond reason received reference replied resolved rest returned seemed seen servants sometimes speak spirit spoken taken tell things thought told took translation turn understand unto verses wife Wright write young