Listening to Fellini: Music and Meaning in Black and WhiteAssociated University Presse, 2009 - 275 страница "The editing of music in Fellini's first films represents an entirely new approach to cinematic sound. The sophistication and complexity of Fellini's soundtracks far surpasses the neorealist models that are often assumed to form the practical foundation of Fellini's earliest works, and an analysis of the editing of music in these films reveals extraordinary innovation in the pairing of music and visual image."--BOOK JACKET. |
Друга издања - Прикажи све
Listening to Fellini: Music and Meaning in Black and White M. Thomas Van Order Приказ није доступан - 2009 |
Чести термини и фразе
Alberto Amanda McLane arrives asks Augusto begins bersaglieri bidone Bondanella Cabiria camera Carla characters Church bells Cinema Theme Circus March Criterion Collection dance dialogue diegesis diegetic and nondiegetic diegetic music diegetic source Dolce Vita Theme drum editing Emma ends English version Fade to black Fausto Fellini Fellini's films Fool Gelsomina Gelsomina's Theme Guido Il bidone Italian version Ivan La Dolce Vita La strada Lazzari leaves little Guido Lo sceicco bianco Luisa Maddalena mambo Marcello Matto Moraldo motorcycle Music by Nino musical sources narration narrative neorealist Nino ROTA Nino ROTA Transcription nondiegetic music notes notti di Cabiria orchestra Oscar Picasso plays prostitute Prostitution Theme returns reveals Riccardo Ricordo d'infanzia Roberto Rome Rota's Sandra sceicco bianco scene sequence shooting script shot Silvia sings song sound track Steiner strada tells Theme BC Titoli di testa Transcription by Amanda viewer visual vitelloni walks Wanda White Sheik woman Zampanò