King Lear: Second EditionManchester University Press, 2004 - 216 страница This updated and expanded analysis of King Lear in performance includes new chapters on the television version of the Royal National Theatre production directed by Richard Eyre and starring Ian Holm; and on Akira Kurosawa's Ran. Earlier chapters provide close, detailed analyses of the stage, film and television interpretations of John Gielgud, Harley Granville Barker, Paul Scofield, Peter Brook, Peter Ustinov, Michael Gambon, Adrian Noble, Grigori Kozintsev, Michael Hordern, Jonathan Miller, Laurence Olivier and Michael Elliott. By examining such issues as the playing of Lear, the staging of the storm and the battle, and the choice of historical period, this book shows how interpretation and performance are bound together, and how the play is transformed through different historical and political contexts. |
Садржај
Problems and choices | 1 |
John Gielgud and Harley Granville Barker | 24 |
Peter Brook and Paul Scofield | 41 |
Robin Phillips and Peter Ustinov | 62 |
Adrian Noble Michael Garnbon and Antony Sher | 77 |
Grigori Kozintsev | 88 |
Peter Brook | 105 |
Jonathan Miller and Michael Hordern | 118 |
Laurence Olivier | 132 |
Ian Holm and Richard Eyre | 144 |
Crosscultural dialogue Akira Kurosawas Ran | 169 |
Conclusion | 200 |
Appendix | 203 |
Bibliography | 207 |
| 213 | |
Друга издања - Прикажи све
Чести термини и фразе
actors Adrian Noble Albany anger Antony Sher audience battle blinding of Gloucester Brook Brook's stage production camera Castle characters close-up Cordelia Cornwall costumes created daughters director Dover scene Edgar Edmund effect entrance eyes Eyre face father final Fool Fool's Fordham gesture Gielgud Gloucester Gloucester's goes Goneril Goneril and Regan Granville Barker Grigori Kozintsev Hidetora human Ian Holm Jiro John Gielgud Jonathan Miller Kaedi Kent King Lear knights Kozintsev 1977 Kurosawa Kyoami last scene later Lear and Cordelia Lear's look Marowitz Michael Michael Gambon Michael Hordern Miller moving Old Vic Olivier opening scene Oswald Paul Scofield performance Peter Brook's Peter Ustinov play play's production's realistic rehearsal reviewers Robin Phillips Royal Shakespeare Company Saburo scene with Gloucester Scofield screen screenplay seems seen sense Shakespeare shot storm scene Stratford Stratford-upon-Avon Sué suggested Tango Taro television theatre throne Ustinov voice walking