Poems of Robert Browning; from the Author's Revised Text of 1889. His Own Selections with Additions from His Latest Works

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General Books, 2013 - 204 страница
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 edition. Excerpt: ... guard his store And gall the unbelievers too, He builds a shrine and, what is more, Procures a painter whom I knew, One Buti (he's with God) to paint A holy picture there--no less Than Virgin Mary free from taint Borne to the sky by angels: yes! VIII. Which shrine he fixed, --who says him nay?--A-facing with its picture-side Not as you'd think, the public way, But just where sought these hounds to hide Their carrion from that very truth Of Mary's triumph: not a hound Could act his mummeries uncouth But Mary shamed the pack all round! IX. Now, if it was amusing, judge!--To see the company arrive, Each Jew intent to end his trudge And take his pleasure (tho' alive) With all his Jewish kith and kin Below ground, have his venom out, Sharpen his wits for next day's sin, Curse Christians, and so home, no doubt! x. Whereas, each phiz upturned beholds Mary, I warrant, soaring brave! And in a trice, beneath the folds Of filthy garb which gowns each knave, Down drops it--there to hide grimace, Contortion of the mouth and nose At finding Mary in the place They'd keep for Pilate, I suppose! XI. At last, they will not brook--not they!--Longer such outrage on their tribe: So, in some hole and corner, lay Their heads together--how to bribe The meritorious Farmer's self To straight undo his work, restore Their chance to meet, and muse on pelf--Pretending sorrow, as before! XII. Forthwith, a posse, if you please, Of Rabbi This and Rabbi That Almost go down upon their knees To get him lay the picture flat. The spokesman, eighty years of age, Gray as a badger, with a goat's--Not only beard but bleat, 'gins wage War with our Mary. Thus he dotes: --XIII. "Friends, grant a grace! How Hebrews toil Thro' life in Florence--why relate To those who lay the...

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О аутору (2013)

Robert Browning was the son of a well-to-do clerk in the Bank of England. He was educated by private tutors and from his own reading in his father's library and elsewhere. Browning's first publication was Pauline (1833). The work made no stir at all. The following year Browning went to St. Petersburg and from there to Italy. On his return to England in 1835 he published Paracelsus, a dramatic poem based on the life of the fifteenth-century magician and alchemist. Browning next attempted a play. Strafford was the first of the poet's dramatic failures; it ran only five nights at Covent Garden in 1836. An obscure and difficult poem, Sordello, appeared in 1840. It did a great deal toward giving Browning a reputation for being unintelligible and for limiting the circles of his readers. The most important event in Browning's life occurred in 1846, when he married Elizabeth Barrett. The marriage brought a new lightness and openness of voice to Browning's verse during the next 21 years, resulting in the great dramatic monologues of Men and Women in 1855 and the epic The Ring and the Book in 1867. It is not that these are the most beautiful poems of the Victorian Age, but they are the most perceptive; they reveal more clearly the men and women who speak the monologues, and the poet who conceived them, than any comparable works of the century. In the last two decades of his life Browning produced only a few great poems but much were grotesque and fantastic. He turned, too, to translations and transcriptions from the Greek tragedies; in spite of some powerful passages, these were not highly successful Robert Browning died in Italy in 1889. His body lies in Westminster Abbey.

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