A Theory of the Literary Text

absolute activity aesthetic meaning affirmation anthropological artistic language artistic text Barthes Blanchot cæsuras capacity Cervantes classical communicative concept concrete consciousness constitution construction conventional conventionality critical cultural deconstructive Derrida dialectical différance differential discourse dispositio diurnal E. H. Gombrich effect elements elocutio essential example experience expressiveness fantastic fictional formal formalist forms fundamental García-Berrio and M. T. genres hermeneutical historical Hölderlin images imaginary imagination imagination's initial interpretation Iser Jauss Juan Ramón Jiménez language limits linguistic poetics literary and poetic literary text literary theory literature lyrical M. T. Hernández manifestation meaningful mimesis modern modes narrative narratology nature Nevertheless nocturnal Novalis novel objective orientation perspective poem poetic meaning poetic value poetry polysemy possible pragmatic principle production proposal radical reader reality reception reference regard relativism representation result rhetoric role Russian formalism scheme semantic semiosis sentimental space structuralist structure stylistic symbols text's textual thematic traditional typology universal verbal