Outline History of English and American Literature: For Use in Colleges and SchoolsAmerican Book Company, 1900 - 552 страница |
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Страница 6
... productions are primarily creations of the art impulse is entirely lost sight of , in which case , indeed , the study of literature might be reduced to barren classifi- cations of facts . Therefore , although this book is strictly ...
... productions are primarily creations of the art impulse is entirely lost sight of , in which case , indeed , the study of literature might be reduced to barren classifi- cations of facts . Therefore , although this book is strictly ...
Страница 9
... production imagination and reality play important parts , sometimes one and sometimes the other having the most influence , so that it is frequently difficult to distinguish their relative importance . In the very earliest ages , and in ...
... production imagination and reality play important parts , sometimes one and sometimes the other having the most influence , so that it is frequently difficult to distinguish their relative importance . In the very earliest ages , and in ...
Страница 13
... production is read with pleasure . Literature in this view is one of the social forces of the world , molding character and manners in common with the other great social forces , and not merely an art product , though its appeal is ...
... production is read with pleasure . Literature in this view is one of the social forces of the world , molding character and manners in common with the other great social forces , and not merely an art product , though its appeal is ...
Страница 27
... production has some of nature's qualities , absence of artificiality , conceit , and affectation . QUESTIONS What traits have been contributed by the Saxon and the Celt re- spectively to the English character ? What qualities to the ...
... production has some of nature's qualities , absence of artificiality , conceit , and affectation . QUESTIONS What traits have been contributed by the Saxon and the Celt re- spectively to the English character ? What qualities to the ...
Страница 49
... production was rewarded by employment of some sort at the hands of a powerful patron , or even by direct gifts of money . Among Chaucer's " minor " or shorter poems are : " The A. B. C. , " an address to the Virgin in twenty - four ...
... production was rewarded by employment of some sort at the hands of a powerful patron , or even by direct gifts of money . Among Chaucer's " minor " or shorter poems are : " The A. B. C. , " an address to the Virgin in twenty - four ...
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Addison admirable American Anglo-Saxon artistic ballad beauty became Ben Jonson Beowulf blank verse born Byron Cædmon called character Charles Charles Lamb Chaucer Church Coleridge College comedy death died drama early eighteenth century Elizabethan England English literature essays expression Faerie Queene father French friends genius hath heart Henry Henry VIII heroic couplet History Hudibras human humor imagination interest John John Milton JOHNSON'S LIT king language Latin Layamon letters literary living London Lord lyrical Milton mind modern nation nature never night novel period plays poems poet poetic poetry political Pope printed production prose published Puritan qualities Queen rhyme romance satire says sense Shakespeare Shelley Sir Bedivere society song sonnets soul Spenser spirit stanzas story style sweet Tamburlaine thee thou thought tion translated true verse volume William Shakespeare Wordsworth writer written wrote young
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Страница 469 - TO A WATERFOWL Whither, midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way? Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As, darkly painted on the crimson sky, Thy figure floats along.
Страница 338 - What thou art we know not ; What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody.
Страница 324 - It ceased ; yet still the sails made on A pleasant noise till noon, A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune.
Страница 213 - CYRIAC, this three years' day, these eyes, though clear, To outward view, of blemish or of spot, Bereft of light, their seeing have forgot ; Nor to their idle orbs doth sight appear Of sun, or moon, or star, throughout the year, Or man, or woman.
Страница 341 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again...
Страница 170 - QUEEN and huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Hesperus entreats thy light, Goddess excellently bright. Earth, let not thy envious shade Dare itself to interpose; Cynthia's shining orb was made Heaven to clear when day did close: Bless us then with wished sight, Goddess excellently bright.
Страница 199 - Go, lovely rose ! Tell her that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be. Tell her that's young, And shuns to have her graces spied. That hadst thou sprung In deserts where no men abide, Thou must have uncommended died. Small is the worth Of beauty from the light retired : Bid her come forth, Suffer herself to be desired, And not blush so to be admired. Then die ! that she The common fate of all things rare May read in thee, — How...
Страница 339 - What objects are the fountains Of thy happy strain ? What fields, or waves, or mountains ? What shapes of sky or plain ? What love of thine own kind ? what ignorance of pain ? With thy clear keen joyance Languor cannot be : Shadow of annoyance Never came near thee : Thou lovest — but ne'e* knew love's sad satiety.
Страница 215 - Thus with the year Seasons return ; but not to me returns . Day, or the sweet approach of even or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine...
Страница 341 - Peace, peace ! he is not dead, he doth not sleep — He hath awakened from the dream of life — 'Tis we, who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings.