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XXVIII

Hugues! I advise med pæna

(Counterpoint glares like a Gorgon)

Bid One, Two, Three, Four, Five, clear the arena !
Say the word, straight I unstop the full-organ,
Blare out the mode Palestrina.

XXIX

While in the roof, if I 'm right there,

...

Lo you, the wick in the socket!

Hallo, you sacristan, show us a light there!
Down it dips, gone like a rocket.

What, you want, do you, to come unawares,

Sweeping the church up for first morning-prayers,
And find a poor devil has ended his cares

At the foot of your rotten-runged rat-riddled stairs?
Do I carry the moon in my pocket?

ABT VOGLER.

(AFTER HE HAS BEEN EXTEMPORIZING UPON THE MUSICAL INSTRUMENT OF HIS INVENTION.)

I

WOULD that the structure brave, the manifold music I

build,

Bidding my organ obey, calling its keys to their work, Claiming each slave of the sound, at a touch, as when Solomon willed

Armies of angels that soar, legions of demons that lurk, Man, brute, reptile, fly,-alien of end and of aim,

Adverse, each from the other heaven-high, hell-deep removed,

Should rush into sight at once as he named the ineffable Name,

And pile him a palace straight, to pleasure the princess he loved!

II

Would it might tarry like his, the beautiful building of mine,

This which my keys in a crowd pressed and importuned to raise !

Ah, one and all, how they helped, would dispart now and now combine,

Zealous to hasten the work, heighten their master his

praise !

And one would bury his brow with a blind plunge down

to hell,

Burrow awhile and build, broad on the roots of

things,

Then up again swim into sight, having based me my palace well,

Founded it, fearless of flame, flat on the nether springs.

III

And another would mount and march, like the excellent minion he was,

Ay, another and yet another, one crowd but with many

a crest,

Raising my rampired walls of gold as transparent as

glass,

Eager to do and die, yield each his place to the rest : For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night— Outlining round and round Rome's dome from space to spire)

Up, the pinnacled glory reached, and the pride of my soul was in sight.

IV

In sight? Not half! for it seemed, it was certain, to match man's birth,

Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth,

As the earth had done her best, in my passion, to scale

the sky :

Novel splendours burst forth, grew familiar and dwelt with mine,

Not a point nor peak but found, but fixed its wandering

star;

Meteor-moons, balls of blaze: and they did not pale nor

pine,

For earth had attained to heaven, there was no more near nor far.

V

Nay more; for there wanted not who walked in the glare and glow,

Presences plain in the place; or, fresh from the Pro

toplast,

Furnished for ages to come, when a kindlier wind should blow,

Lured now to begin and live, in a house to their liking

at last;

Or else the wonderful Dead who have passed through the body and gone,

But were back once more to breathe in an old world

worth their new:

What never had been, was now; what was, as it shall be

anon;

And what is, shall I say, matched both? for I was

made perfect too.

VI

All through my keys that gave their sounds to a wish of my soul,

All through my soul that praised as its wish flowed

visibly forth,

All through music and me! For think, had I painted the whole,

Why, there it had stood, to see, nor the process so wonder-worth.

Had I written the same, made verse-still, effect proceeds from cause,

Ye know why the forms are fair, ye hear how the tale

is told;

It is all triumphant art, but art in obedience to laws, Painter and poet are proud, in the artist-list enrolled :—

VII

But here is the finger of God, a flash of the will that can, Existent behind all laws: that made them, and, lo,

they are!

And I know not if, save in this, such gift be allowed to

man,

That out of three sounds he frame, not a fourth sound,

but a star.

Consider it well: each tone of our scale in itself is

nought;

It is everywhere in the world-loud, soft, and all is said: Give it to me to use! I mix it with two in my thought, And, there! Ye have heard and seen: consider and bow the head!

VIII

Well, it is gone at last, the palace of music I reared; Gone! and the good tears start, the praises that come too slow;

For one is assured at first, one scarce can say that he

feared,

That he even gave it a thought, the gone thing was

to go.

Never to be again! But many more of the kind

As good, nay, better perchance: is this your comfort to me?

To me, who must be saved because I cling with my mind To the same, same self, same love, same God: ay, what was, shall be.

IX

Therefore to whom turn I but to Thee, the ineffable Name? Builder and maker, thou, of houses not made with hands! What, have fear of change from thee who art ever the same?

Doubt that thy power can fill the heart that thy power

expands ?

There shall never be one lost good! What was, shall live as before;

The evil is null, is nought, is silence implying sound; What was good, shall be good, with, for evil, so much good more;

On the earth the broken arcs; in the heaven, a perfect round.

X

All we have willed or hoped or dreamed of good, shall exist; Not its semblance, but itself; no beauty, nor good, nor

power

Whose voice has gone forth, but each survives for the melodist,

When eternity affirms the conception of an hour. The high that proved too high, the heroic for earth too

hard,

The passion that left the ground to lose itself in the sky,

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