Modern Painters: Pt. VI. Of leaf beauty. Pt. VII. Of cloud beauty. Pt. VIII-IX. Of ideas of relationWiley & Halsted, 1860 |
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Страница vii
... course of the Rhine on the north of Switzerland . Knowing that these towns were peculiarly liable to be injured by modern railroad works , I thought I might rest myself by hunting down these Turner subjects , and sketching what I could ...
... course of the Rhine on the north of Switzerland . Knowing that these towns were peculiarly liable to be injured by modern railroad works , I thought I might rest myself by hunting down these Turner subjects , and sketching what I could ...
Страница ix
... course of which , it will be kind and well if the reader will note these few points that follow . The first volume was the expansion of a reply to a magazine article ; and was not begun because I then thought myself qualified to write a ...
... course of which , it will be kind and well if the reader will note these few points that follow . The first volume was the expansion of a reply to a magazine article ; and was not begun because I then thought myself qualified to write a ...
Страница 29
... course always so in spring as they develope . Let us then apply these conditions to our formal figure above , and suppose each leaf to be weaker in its order of succession . The oak becomes as a , Fig . 26 , the chestnut shoot as b ...
... course always so in spring as they develope . Let us then apply these conditions to our formal figure above , and suppose each leaf to be weaker in its order of succession . The oak becomes as a , Fig . 26 , the chestnut shoot as b ...
Страница 30
John Ruskin. of course , in alternate order . The largest leaf is the lowest , 1 in Figure 8 , p . 15. While the largest leaf forms the bottom , next it , opposite each other , come the third and fourth , in order and magnitude , and the ...
John Ruskin. of course , in alternate order . The largest leaf is the lowest , 1 in Figure 8 , p . 15. While the largest leaf forms the bottom , next it , opposite each other , come the third and fourth , in order and magnitude , and the ...
Страница 31
... course the quatrefoil in reality is always less formal , one pair of leaves more or less hiding or preceding the other . Fig . 28 is the outline of a young one in the maple . § 12. The third form is more complex , and we must take the ...
... course the quatrefoil in reality is always less formal , one pair of leaves more or less hiding or preceding the other . Fig . 28 is the outline of a young one in the maple . § 12. The third form is more complex , and we must take the ...
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Albert of Nuremberg ascer beauty blue bough branches buds called Ceto chapter character clouds color Correggio Covent Garden curves dark death delight dragon drawing Durer earth engraving Erytheia expression fall farther feeling figure flowers Geryon Giorgione give golden grace Greek hand heart heaven Hesiod Hesperides hills human kind labor landscape leaf leaves less light lines look Madonna meaning Medusa mind mountain nature nearly Nereus never noble painted painter partly passion perfect perhaps Phorcys picture piece pine Plague of Egypt Plate question racter rain reader respecting rhododendron rock round Rubens seen shade shoot side sketches sorrow soul spirit spray stem strange strength things thought tion Titian touch trees true truth Turner Typhon Vandyck vapor Venetian Veronese Veronese's vulgar wholly wind word Wouvermans
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