Sketches of Great PaintersStewart and Kidd Company, 1915 - 263 страница |
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Страница 11
... to his Roman period , appearing in 1512 while he worked on his frescoes . It was originally painted for the * Rose , The World's Leading Painters . papal chamberlain , Sigismond Conti . After adorn- ing the RAPHAEL II.
... to his Roman period , appearing in 1512 while he worked on his frescoes . It was originally painted for the * Rose , The World's Leading Painters . papal chamberlain , Sigismond Conti . After adorn- ing the RAPHAEL II.
Страница 33
... appeared to him in 1855 , - " There was much in Millet himself suggestive of the Bible and of the old patriarchs , especially to those who saw him in the privacy of his own home ; at least it so appeared to me on the occasion of my ...
... appeared to him in 1855 , - " There was much in Millet himself suggestive of the Bible and of the old patriarchs , especially to those who saw him in the privacy of his own home ; at least it so appeared to me on the occasion of my ...
Страница 36
... appeared to be at work . The whole scene gave the impression of a hot summer's day ; but you could almost see the trembling motion of the heated air outside , you could almost smell the languid scent of flowers , you could almost hear ...
... appeared to be at work . The whole scene gave the impression of a hot summer's day ; but you could almost see the trembling motion of the heated air outside , you could almost smell the languid scent of flowers , you could almost hear ...
Страница 85
... appearing in The Saturday Review that there were more varieties of tint in the " Sym- phony in White , No. III " than the title justified . " Mon Dieu ! " he retorts , " did this wise person expect white hair and chalked faces ? And ...
... appearing in The Saturday Review that there were more varieties of tint in the " Sym- phony in White , No. III " than the title justified . " Mon Dieu ! " he retorts , " did this wise person expect white hair and chalked faces ? And ...
Страница 92
... appearance . Whistler took pleasure in the tradi- tion that there was gypsy blood in her family . She was intelligent , had been an art student , and was always interested in Whistler's work as an artist . The following account of how ...
... appearance . Whistler took pleasure in the tradi- tion that there was gypsy blood in her family . She was intelligent , had been an art student , and was always interested in Whistler's work as an artist . The following account of how ...
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admired Antwerp architect artist Barbizon beauty born called canvas centuries charm child color Corot court criticism death decoration Duke Dyck exhibited face fame famous father feel figures Florence francs friends Gallery genius Giorgione girl give grace greatest painter hand heart honor horses human hundred imagination impression Italy Joshua king landscape Last Judgment later Leonardo light lived looked Louvre loved Madrid master masterpiece Michelangelo Millet Mona Lisa mother Murillo nature never Night Watch painted painter Paris patron peasant perfection Perugino Philip picture poet Pope portrait praise prince prosperity pupil Raphael Rembrandt Reynolds rich Rome Rosa Bonheur Rubens Ruskin sculptor seems Seville Shakspere silence Sistine Chapel Sistine Madonna sketch soul story tender things Tintoretto tion Titian ture Turner Van Dyck Vasari Velasquez Venice Whistler wife woman writes young youth
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Страница 148 - And only the Master shall praise us. and only the Master shall blame: And no one shall work for money. and no one shall work for fame. But each for the joy of the working. and each. in his separate star. Shall draw the Thing as he sees It for the God of Things as They Are!
Страница 187 - And strictly meditate the thankless Muse? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
Страница 192 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind. His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland : Still born to improve us in every part, His pencil our faces, his manners our heart.
Страница 96 - And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us...
Страница 29 - Bowed by the weight of centuries he leans Upon his hoe and gazes on the ground, The emptiness of ages in his face, And on his back the burden of the world.
Страница 94 - Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence before now ; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.
Страница 54 - Hers is the head upon which all 'the ends of the world are come,' and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions.
Страница 176 - Which made my soul the worshipper and thrall Of earthly art is vain ; how criminal Is that which all men seek unwillingly. Those amorous thoughts which were so lightly dressed, What are they when the double death is nigh ? The one I know for sure, the other dread. Painting nor sculpture now can lull to rest My soul, that turns to His great love on high, Whose arms to clasp us on the cross were spread.
Страница 244 - Oh yet we trust that somehow good Will be the final goal of ill To pangs of nature, sins of will, Defects of doubt, and taints of blood ; That nothing walks with aimless feet ; That not one life shall be...