Exits and EntrancesTheatre Communications Group, 2008 - 68 страница |
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Страница 54
... Huguenet , celebrated as the “ Olivier of South Africa , " was born Gerhardus Petrus Borstlap in 1906 in Bloemfontein and died in 1961. At age twenty , he joined Paul de Groot's theatre company , but his parents wanted him to become a ...
... Huguenet , celebrated as the “ Olivier of South Africa , " was born Gerhardus Petrus Borstlap in 1906 in Bloemfontein and died in 1961. At age twenty , he joined Paul de Groot's theatre company , but his parents wanted him to become a ...
Страница 60
... Huguenet's philosophy of drama and his coming to terms with death , the play refers at length to another important figure in South African cultural history— Eugène Marais ( 1871-1936 ) , the famous naturalist and poet who was the ...
... Huguenet's philosophy of drama and his coming to terms with death , the play refers at length to another important figure in South African cultural history— Eugène Marais ( 1871-1936 ) , the famous naturalist and poet who was the ...
Страница 67
... Huguenet's story is another instance of his giving a voice to those who have been silenced , for , although Huguenet wrote an autobiography , Applause : The Chronicle of an Actor , it is Exits and Entrances that lays bare the famous ...
... Huguenet's story is another instance of his giving a voice to those who have been silenced , for , although Huguenet wrote an autobiography , Applause : The Chronicle of an Actor , it is Exits and Entrances that lays bare the famous ...
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actor Afrikaans theatre Afrikaner André Huguenet apartheid arrogance Athol Fugard audience Bloemfontein Town Hall Blood Knot bully Cape Town Captain's Tiger Cardinal Christelikheid city that Cadmus conceit costume rack curse dear boy death Dopper Moffie dream dressing room Dutch Reform Church Elizabeth Opera House Eugène Marais Euripides Exits and Entrances father finally Fugard's plays Gerhardus Petrus Borstlap going Hassan James Elroy Flecker Jocasta Karoo knew Labia Theatre Lesson from Aloes live Marianne McDonald Master Harold mother Nieu Bethesda night nines notebook Oedipus the King onstage Oom Eugène Pause Pavlova performance Pigalle Cinema PLAYWRIGHT Laughing poephol Polybus pondok pray realized recent plays role saw tonight scrubbing the floor Sharpeville silence sleep soliloquy Sophocles Sorrows and Rejoicings South Africa speak stage blood Stephen Sachs story talking telling thought trying Valley Song 1995 vision volk wear What's writing Yasmin young