Exits and EntrancesTheatre Communications Group, 2008 - 68 страница |
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Страница 27
... London , 1950. And on that occasion the stage of the Cambridge Theatre home . was my PLAYWRIGHT : And now ? Quo vadis , Domine ? ANDRÉ : Stop showing off and speak English . PLAYWRIGHT : What's next ? ANDRÉ ( Airily ) : They're talking ...
... London , 1950. And on that occasion the stage of the Cambridge Theatre home . was my PLAYWRIGHT : And now ? Quo vadis , Domine ? ANDRÉ : Stop showing off and speak English . PLAYWRIGHT : What's next ? ANDRÉ ( Airily ) : They're talking ...
Страница 55
... London , where he worked with the British Drama League and toured Europe and Russia . He then returned to South Africa , where he founded a series of companies ; toured America , in 1941 ; and joined the National Theatre Organisation of ...
... London , where he worked with the British Drama League and toured Europe and Russia . He then returned to South Africa , where he founded a series of companies ; toured America , in 1941 ; and joined the National Theatre Organisation of ...
Страница 61
... London and Western Europe . In 1961 , provoked by the Sharpeville mas- sacre , they returned to Port Elizabeth . In 1967 , in an appar- ent attempt to coerce Fugard into leaving the country , the government took away his passport ...
... London and Western Europe . In 1961 , provoked by the Sharpeville mas- sacre , they returned to Port Elizabeth . In 1967 , in an appar- ent attempt to coerce Fugard into leaving the country , the government took away his passport ...
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actor Afrikaans theatre Afrikaner André Huguenet apartheid arrogance Athol Fugard audience Bloemfontein Town Hall Blood Knot bully Cape Town Captain's Tiger Cardinal Christelikheid city that Cadmus conceit costume rack curse dear boy death Dopper Moffie dream dressing room Dutch Reform Church Elizabeth Opera House Eugène Marais Euripides Exits and Entrances father finally Fugard's plays Gerhardus Petrus Borstlap going Hassan James Elroy Flecker Jocasta Karoo knew Labia Theatre Lesson from Aloes live Marianne McDonald Master Harold mother Nieu Bethesda night nines notebook Oedipus the King onstage Oom Eugène Pause Pavlova performance Pigalle Cinema PLAYWRIGHT Laughing poephol Polybus pondok pray realized recent plays role saw tonight scrubbing the floor Sharpeville silence sleep soliloquy Sophocles Sorrows and Rejoicings South Africa speak stage blood Stephen Sachs story talking telling thought trying Valley Song 1995 vision volk wear What's writing Yasmin young