Exits and EntrancesTheatre Communications Group, 2008 - 68 страница |
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Страница 27
... leaves André and comes downstage to talk directly to the audience . ) PLAYWRIGHT : Our paths crossed again for the second and last time in 1961. Only five years had passed since that production of Oedipus in Cape Town but it might well ...
... leaves André and comes downstage to talk directly to the audience . ) PLAYWRIGHT : Our paths crossed again for the second and last time in 1961. Only five years had passed since that production of Oedipus in Cape Town but it might well ...
Страница 45
... leaves ; and , as has happened on so many nights now , I will fall asleep in the unimportant labyrinth of a dialogue that I follow through as if learnt by rote . First my mind consciously ana- lyzes the phenomenon of a shadow , the fall ...
... leaves ; and , as has happened on so many nights now , I will fall asleep in the unimportant labyrinth of a dialogue that I follow through as if learnt by rote . First my mind consciously ana- lyzes the phenomenon of a shadow , the fall ...
Страница 65
... leaves South Africa during the apartheid years , becomes an alcoholic and finally returns to Nieu Bethesda to die of cancer . Fugard has said that he has often felt like an exile whenever he has had to spend extended periods outside ...
... leaves South Africa during the apartheid years , becomes an alcoholic and finally returns to Nieu Bethesda to die of cancer . Fugard has said that he has often felt like an exile whenever he has had to spend extended periods outside ...
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actor Afrikaans theatre Afrikaner André Huguenet apartheid arrogance Athol Fugard audience Bloemfontein Town Hall Blood Knot bully Cape Town Captain's Tiger Cardinal Christelikheid city that Cadmus conceit costume rack curse dear boy death Dopper Moffie dream dressing room Dutch Reform Church Elizabeth Opera House Eugène Marais Euripides Exits and Entrances father finally Fugard's plays Gerhardus Petrus Borstlap going Hassan James Elroy Flecker Jocasta Karoo knew Labia Theatre Lesson from Aloes live Marianne McDonald Master Harold mother Nieu Bethesda night nines notebook Oedipus the King onstage Oom Eugène Pause Pavlova performance Pigalle Cinema PLAYWRIGHT Laughing poephol Polybus pondok pray realized recent plays role saw tonight scrubbing the floor Sharpeville silence sleep soliloquy Sophocles Sorrows and Rejoicings South Africa speak stage blood Stephen Sachs story talking telling thought trying Valley Song 1995 vision volk wear What's writing Yasmin young