Exits and EntrancesTheatre Communications Group, 2008 - 68 страница |
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Страница 14
... mother about her , and did she then give me a lecture ! You must know we Bloemfontein Borstlaps . were a strict Dopper family . Eternal damnation ! Nothing less . Straight to hell if I went anywhere near that wicked woman and her ...
... mother about her , and did she then give me a lecture ! You must know we Bloemfontein Borstlaps . were a strict Dopper family . Eternal damnation ! Nothing less . Straight to hell if I went anywhere near that wicked woman and her ...
Страница 17
... mother Merope , a Dorian . In everything I was privi- leged above all others in the kingdom . Then something happened , which was indeed offensive , but hardly something that should have upset me as much as it did . A man , whom too ...
... mother Merope , a Dorian . In everything I was privi- leged above all others in the kingdom . Then something happened , which was indeed offensive , but hardly something that should have upset me as much as it did . A man , whom too ...
Страница 54
... mother was of Afrikaner background ; his father was a pianist and an alcoholic who was crippled in an acci- dent and died when Fugard was twenty - nine . In a New Yorker profile by Mel Gussow ( December 20 , 1982 ) , Fugard attributed ...
... mother was of Afrikaner background ; his father was a pianist and an alcoholic who was crippled in an acci- dent and died when Fugard was twenty - nine . In a New Yorker profile by Mel Gussow ( December 20 , 1982 ) , Fugard attributed ...
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actor Afrikaans theatre Afrikaner André Huguenet apartheid arrogance Athol Fugard audience Bloemfontein Town Hall Blood Knot bully Cape Town Captain's Tiger Cardinal Christelikheid city that Cadmus conceit costume rack curse dear boy death Dopper Moffie dream dressing room Dutch Reform Church Elizabeth Opera House Eugène Marais Euripides Exits and Entrances father finally Fugard's plays Gerhardus Petrus Borstlap going Hassan James Elroy Flecker Jocasta Karoo knew Labia Theatre Lesson from Aloes live Marianne McDonald Master Harold mother Nieu Bethesda night nines notebook Oedipus the King onstage Oom Eugène Pause Pavlova performance Pigalle Cinema PLAYWRIGHT Laughing poephol Polybus pondok pray realized recent plays role saw tonight scrubbing the floor Sharpeville silence sleep soliloquy Sophocles Sorrows and Rejoicings South Africa speak stage blood Stephen Sachs story talking telling thought trying Valley Song 1995 vision volk wear What's writing Yasmin young