Exits and EntrancesTheatre Communications Group, 2008 - 68 страница |
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Страница 5
... realized I was listening to the birth cries of the new Republic of South Africa . A few seconds after the bells , an engine whistle started up , down in the marshaling yards - some patriotic Afri- kaner , no doubt , who kept it going ...
... realized I was listening to the birth cries of the new Republic of South Africa . A few seconds after the bells , an engine whistle started up , down in the marshaling yards - some patriotic Afri- kaner , no doubt , who kept it going ...
Страница 22
... realized when I eventually read his autobiography some years later , André was no stranger to that state of affairs . His thirty years of single - minded and unwaver- ing dedication to Afrikaans theatre has not been richly rewarded ...
... realized when I eventually read his autobiography some years later , André was no stranger to that state of affairs . His thirty years of single - minded and unwaver- ing dedication to Afrikaans theatre has not been richly rewarded ...
Страница 57
... realized in his country at this time . It could have been in post - apartheid South Africa , particularly after 1994 with its free election and a new constitution . PLAYWRIGHT : This is where the play starts to get scary . You know what ...
... realized in his country at this time . It could have been in post - apartheid South Africa , particularly after 1994 with its free election and a new constitution . PLAYWRIGHT : This is where the play starts to get scary . You know what ...
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actor Afrikaans theatre Afrikaner André Huguenet apartheid arrogance Athol Fugard audience Bloemfontein Town Hall Blood Knot bully Cape Town Captain's Tiger Cardinal Christelikheid city that Cadmus conceit costume rack curse dear boy death Dopper Moffie dream dressing room Dutch Reform Church Elizabeth Opera House Eugène Marais Euripides Exits and Entrances father finally Fugard's plays Gerhardus Petrus Borstlap going Hassan James Elroy Flecker Jocasta Karoo knew Labia Theatre Lesson from Aloes live Marianne McDonald Master Harold mother Nieu Bethesda night nines notebook Oedipus the King onstage Oom Eugène Pause Pavlova performance Pigalle Cinema PLAYWRIGHT Laughing poephol Polybus pondok pray realized recent plays role saw tonight scrubbing the floor Sharpeville silence sleep soliloquy Sophocles Sorrows and Rejoicings South Africa speak stage blood Stephen Sachs story talking telling thought trying Valley Song 1995 vision volk wear What's writing Yasmin young