Exits and EntrancesTheatre Communications Group, 2008 - 68 страница |
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Страница 22
... success . A full house gave us a standing ovation at the end , and the critics were all very respectful of the occasion and wrote glowingly about André's perfor- mance . In spite of all that , however , we were soon play- ing to very ...
... success . A full house gave us a standing ovation at the end , and the critics were all very respectful of the occasion and wrote glowingly about André's perfor- mance . In spite of all that , however , we were soon play- ing to very ...
Страница 58
... success outside his own country because he violated the boundaries of the acceptable in South Africa . Fugard was the Socratic critic of his country , the Euripides of his time , and when an author holds " the mirror up to nature ...
... success outside his own country because he violated the boundaries of the acceptable in South Africa . Fugard was the Socratic critic of his country , the Euripides of his time , and when an author holds " the mirror up to nature ...
Страница 67
... success of which he dreamed . Huguenet kindled Fugard's creative fire as powerfully as Pavlova ignited Huguenet's in 1916. In Exits and Entrances , Fugard has created a tribute that will make Huguenet's story 67 AFTERWORD.
... success of which he dreamed . Huguenet kindled Fugard's creative fire as powerfully as Pavlova ignited Huguenet's in 1916. In Exits and Entrances , Fugard has created a tribute that will make Huguenet's story 67 AFTERWORD.
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actor Afrikaans theatre Afrikaner André Huguenet apartheid arrogance Athol Fugard audience Bloemfontein Town Hall Blood Knot bully Cape Town Captain's Tiger Cardinal Christelikheid city that Cadmus conceit costume rack curse dear boy death Dopper Moffie dream dressing room Dutch Reform Church Elizabeth Opera House Eugène Marais Euripides Exits and Entrances father finally Fugard's plays Gerhardus Petrus Borstlap going Hassan James Elroy Flecker Jocasta Karoo knew Labia Theatre Lesson from Aloes live Marianne McDonald Master Harold mother Nieu Bethesda night nines notebook Oedipus the King onstage Oom Eugène Pause Pavlova performance Pigalle Cinema PLAYWRIGHT Laughing poephol Polybus pondok pray realized recent plays role saw tonight scrubbing the floor Sharpeville silence sleep soliloquy Sophocles Sorrows and Rejoicings South Africa speak stage blood Stephen Sachs story talking telling thought trying Valley Song 1995 vision volk wear What's writing Yasmin young