Exits and EntrancesTheatre Communications Group, 2008 - 68 страница |
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Страница 59
... telling stories about your own people . " The Play- wright answers , “ If I find a good one I will . ” As history and international recognition have proven , he did . Fugard final- ly attained what Huguenet had dreamed of . The two men ...
... telling stories about your own people . " The Play- wright answers , “ If I find a good one I will . ” As history and international recognition have proven , he did . Fugard final- ly attained what Huguenet had dreamed of . The two men ...
Страница 64
... telling the truth , but rather adopting the imitative conceits of a fledgling writer . Valley Song is autobiographical to the extent that the play is set at a time when Fugard was buying a house , which he still owns in Nieu Bethesda ...
... telling the truth , but rather adopting the imitative conceits of a fledgling writer . Valley Song is autobiographical to the extent that the play is set at a time when Fugard was buying a house , which he still owns in Nieu Bethesda ...
Страница 67
... telling of Huguenet's story is another instance of his giving a voice to those who have been silenced , for , although Huguenet wrote an autobiography , Applause : The Chronicle of an Actor , it is Exits and Entrances that lays bare the ...
... telling of Huguenet's story is another instance of his giving a voice to those who have been silenced , for , although Huguenet wrote an autobiography , Applause : The Chronicle of an Actor , it is Exits and Entrances that lays bare the ...
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actor Afrikaans theatre Afrikaner André Huguenet apartheid arrogance Athol Fugard audience Bloemfontein Town Hall Blood Knot bully Cape Town Captain's Tiger Cardinal Christelikheid city that Cadmus conceit costume rack curse dear boy death Dopper Moffie dream dressing room Dutch Reform Church Elizabeth Opera House Eugène Marais Euripides Exits and Entrances father finally Fugard's plays Gerhardus Petrus Borstlap going Hassan James Elroy Flecker Jocasta Karoo knew Labia Theatre Lesson from Aloes live Marianne McDonald Master Harold mother Nieu Bethesda night nines notebook Oedipus the King onstage Oom Eugène Pause Pavlova performance Pigalle Cinema PLAYWRIGHT Laughing poephol Polybus pondok pray realized recent plays role saw tonight scrubbing the floor Sharpeville silence sleep soliloquy Sophocles Sorrows and Rejoicings South Africa speak stage blood Stephen Sachs story talking telling thought trying Valley Song 1995 vision volk wear What's writing Yasmin young