Palgrave's Golden Treasury of Songs and Lyrics ...Macmillan, 1903 |
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Страница 62
... the first foot : the effect is to give a trochaic rhythm instead of an iambic to these lines . The third line is of full length - four iambic feet - but the fourth line is shortened to three feet : the effect 62 NOTES.
... the first foot : the effect is to give a trochaic rhythm instead of an iambic to these lines . The third line is of full length - four iambic feet - but the fourth line is shortened to three feet : the effect 62 NOTES.
Страница 73
... trochaic line of four accents , often used by Shakespeare and Milton . In a long poem it becomes monotonous : hence Milton in L'Allegro and Il Penseroso varies it continually . So , too , Keats and Shelley varied it in such poems as the ...
... trochaic line of four accents , often used by Shakespeare and Milton . In a long poem it becomes monotonous : hence Milton in L'Allegro and Il Penseroso varies it continually . So , too , Keats and Shelley varied it in such poems as the ...
Страница 75
... trochaic effects , and by the mid - line rhymes in the epode or third stanza of each group . The Bard and The Progress of Poesy were severely criticised at the time of their first appearance on account of their alleged obscurity . In ...
... trochaic effects , and by the mid - line rhymes in the epode or third stanza of each group . The Bard and The Progress of Poesy were severely criticised at the time of their first appearance on account of their alleged obscurity . In ...
Страница 89
... trochaic or feminine ending of the second line of each couplet . The Yarrow ballads generally have this rhythm , and obtain a powerfully pathetic as well as musical effect by the use of the name " Yarrow " as a rhyme word . 1. bonny ...
... trochaic or feminine ending of the second line of each couplet . The Yarrow ballads generally have this rhythm , and obtain a powerfully pathetic as well as musical effect by the use of the name " Yarrow " as a rhyme word . 1. bonny ...
Страница 133
... trochaic or ' feminine ' ending . The third line in several stanzas is lengthened by another syllable , and becomes an iambic line of four feet . 2. ye . Another reading is she . border . See note on No. 11. 17 . 6. but , only . 8 ...
... trochaic or ' feminine ' ending . The third line in several stanzas is lengthened by another syllable , and becomes an iambic line of four feet . 2. ye . Another reading is she . border . See note on No. 11. 17 . 6. but , only . 8 ...
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Чести термини и фразе
Aeneid Aeolian Aeschylus anapaest ancient ballad Bard beautiful bonnie Book Bradshaw braes Burns called charm Collins Comus Cowper CXLV dear death Dryden's Eclogue eighteenth century Elegy English English poetry epithet eyes F. T. Palgrave Faerie Queene fair favourite flowers Georgics Golden Treasury Gray Gray's Greek Hales heart honour Horace Horace's Il Penseroso Jean John Anderson King L'Allegro Lady Latin leal lines living lourche Lucretius LXXXIX Lycidas Lycidas G. T. lyre lyric Mary melancholy Metre Milton mind Muse Nativity Ode night o'er Paradise Lost Penseroso G. T. phrase Pindar poem poetic poetry poets Pope Queen reader rhyme Scottish sense shade Shakespeare simplicity sleep song Sonnet Sophocles sorrow soul sound Spenser stanza stream sweet tabby tear Tennyson thee thou thought Tovey Twas verb verse Virgil warble wind wings word Wordsworth written Yarrow وو
Популарни одломци
Страница 48 - John Anderson my jo. John Anderson my jo, John, We clamb the hill thegither ; And mony a canty day, John, We've had wi' ane anither : Now we maun totter down, John, But hand in hand we'll go, And sleep thegither at the foot, John Anderson my jo.
Страница 65 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Страница 55 - How fleet is a glance of the mind ! Compared with the speed of its flight, The tempest itself lags behind, And the swift-winged arrows of light. When I think of my own native land, In a moment I seem to be there ; But alas ! recollection at hand Soon hurries me back to despair.
Страница 29 - Love framed with Mirth a gay fantastic round ; Loose were her tresses seen, her zone unbound : And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Страница 98 - YE banks and braes o' bonnie Doon, How can ye bloom sae fresh and fair; How can ye chant, ye little birds, And I sae weary, fu' o
Страница 16 - It was not in the battle; No tempest gave the shock ; She sprang no fatal leak, She ran upon no rock. His sword was in its sheath, His fingers held the pen, When Kempenfelt went down With twice four hundred men.
Страница 66 - With store of ladies, whose bright eyes Rain influence, and judge the prize Of wit or arms, while both contend To win her grace whom all commend.
Страница 42 - As fair art thou, my bonnie lass, So deep in luve am I, And I will luve thee still, my dear, Till a' the seas gang dry. Till a" the seas gang dry, my dear, And the rocks melt wi
Страница 33 - WEE, sleekit, cow'rin, tim'rous beastie, O, what a panic's in thy breastie ! Thou need na start awa sae hasty, Wi...
Страница 50 - Gainst graver hours, that bring constraint To sweeten liberty: Some bold adventurers disdain The limits of their little reign And unknown regions dare descry: Still as they run they look behind, They hear a voice in every wind, And snatch a fearful joy.