A History of English Laughter: Laughter from Beowulf to Beckett and BeyondManfred Pfister Rodopi, 2002 - 201 страница Is there a 'history' of laughter? Or isn't laughter an anthropological constant rather and thus beyond history, a human feature that has defined humanity as homo ridens from cave man and cave woman to us? The contributors to this collection of essays believe that laughter does have a history and try to identify continuities and turning points of this history by studying a series of English texts, both canonical and non-canonical, from Anglosaxon to contemporary. As this is not another book on the history of the comic or of comedy it does not restrict itself to comic genres; some of the essays actually go out of their way to discover laughter at the margins of texts where one would not have expected it all - in Beowulf, or Paradise Lost or the Gothic Novel. Laughter at the margins of texts, which often coincides with laughter from the margins of society and its orthodoxies, is one of the special concerns of this book. This goes together with an interest in 'impure' forms of laughter - in laughter that is not the serene and intellectually or emotionally distanced response to a comic stimulus which is at the heart of many philosophical theories of the comic, but emotionally disturbed and troubled, aggressive and transgressive, satanic and sardonic laughter. We do not ask, then, what is comic, but: who laughs at and with whom where, when, why, and how? |
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Страница iii
... Miller's Tale 17 Indira Ghose Licence to Laugh : Festive Laughter in Twelfth Night 35 Susanne Rupp Milton's Laughing God 47 Werner von Koppenfels ' Nothing is ridiculous but what is deformed ' : Laughter as a Test of Truth in ...
... Miller's Tale 17 Indira Ghose Licence to Laugh : Festive Laughter in Twelfth Night 35 Susanne Rupp Milton's Laughing God 47 Werner von Koppenfels ' Nothing is ridiculous but what is deformed ' : Laughter as a Test of Truth in ...
Страница 17
... Miller's Tale I. Attitudes to laughter were complex and varied in medieval texts , and perhaps nowhere more so than in Chaucer's Miller's Tale , the most brilliant of his fabliaux . A comic tale intended to provoke laughter , it has ...
... Miller's Tale I. Attitudes to laughter were complex and varied in medieval texts , and perhaps nowhere more so than in Chaucer's Miller's Tale , the most brilliant of his fabliaux . A comic tale intended to provoke laughter , it has ...
Страница 18
... Miller's Tale , but evidence for the enduring theoretical and practical interest in mirth during the Middle Ages . This was an interest Chaucer shared . " II . Laughter plays a central role in the Miller's Tale , not only because the ...
... Miller's Tale , but evidence for the enduring theoretical and practical interest in mirth during the Middle Ages . This was an interest Chaucer shared . " II . Laughter plays a central role in the Miller's Tale , not only because the ...
Страница 19
... elevating solaas well above sentence " ( Hines 1993 , 107 ) . The Canterbury Tales , Fragment I , II . 545-566 . The Miller is a rebel , telling a rebel tale 19 The Exegetics of Laughter : Religious Parody in Chaucer's Miller's Tale.
... elevating solaas well above sentence " ( Hines 1993 , 107 ) . The Canterbury Tales , Fragment I , II . 545-566 . The Miller is a rebel , telling a rebel tale 19 The Exegetics of Laughter : Religious Parody in Chaucer's Miller's Tale.
Страница 20
... Miller's Tale is a parody of the Knight's Tale , subjecting the latter's values to ridicule and laughter . Both clerkly rivals , Nicholas and Absolon , serve in different ways as caricatures of the aristocratic cult of courtly love ...
... Miller's Tale is a parody of the Knight's Tale , subjecting the latter's values to ridicule and laughter . Both clerkly rivals , Nicholas and Absolon , serve in different ways as caricatures of the aristocratic cult of courtly love ...
Садржај
17 | |
Indira Ghose | 35 |
Werner von Koppenfels | 57 |
Ute Berns | 83 |
Merle Tönnies | 99 |
Tobias Döring | 121 |
Jeremy Lane | 137 |
Renate Brosch | 153 |
Manfred Pfister | 175 |
Index | 191 |
Чести термини и фразе
Absolon Alisoun analysis audience laughter Bakhtin Beckett behaviour Beowulf biblical body burlesque Byron Canterbury Tales Carnival carnivalesque character Chaucer Christ Christian comedy concept contemporary critical culture Democritus drama emotional essay evoked expression fabliau fiction Finnegans Wake fool Freud Freudian gender genre God's Gothic Novel hermeneutical Höfuðlausn human humour incongruity instance interpretation James James's jokes Joyce kind of laughter Lachen language laugh literary London n.d. madness Maturin's meaning medieval Melmoth the Wanderer melodrama Miller's Tale Milton mirth moral n.d. first performed narrative narrator Nineteenth Century Njörðr norms novel Number Old English literature Paradise Lost parody Pfister plays Plessner poem political Pope Pope's pryvetee quote reaction readers relation religious response ridicule role Romantic Rune Poem satanic satire seems sense sexual Shakespeare's Skaði social spectators spleen stage Stephen Sterne Sterne's superior laughter theatre theatrical theory of laughter tradition Tristram Shandy turn type of laughter
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