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" From the lower end we passed through a Moorish archway into the renowned Court of Lions. There is no part of the edifice that gives us a more complete idea of its original beauty and magnificence than this, for none has suffered so little from the ravages... "
Pen and Pencil Sketches of a Holiday Scamper in Spain - Страница 92
написао/ла A. C. Andros - 1860 - 163 страница
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The Saturday Magazine ..., Том 1

1833 - 814 страница
...a terrestrial paradise. Washington Irving, who visited this romantic place a few years ago, says " there is no part of the edifice that gives us a more...idea of its original beauty and magnificence, than the Hall of the Lions, for none has suffered so little from the ravages of time. In the centre stands...
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Peabody's Parlour Journal, Томови 1-2

1834 - 402 страница
[ Жао нам је, садржај ове странице је ограничен ]
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Parallel Universal History: Being an Outline of the History and Biography of ...

Philip Alexander Prince - 1838 - 702 страница
...gold-fish, and bordered by hedges of roses. At the upper end of this court rose the great tower of Gomares. From the lower end we passed through a Moorish archway...into the renowned Court of Lions. There is no part ol the edifice that gives us a more complete idea of its original beauty and magnificence than this...
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Tales of the Alhambra: To which are Added Legends of the Conquest of Spain

Washington Irving - 1840 - 370 страница
...fish, and bordered by hedges of roses. At the upper end of this court rose the great Tower of Comarcs. From the lower end we passed through a Moorish archway...Lions. There is no part of the edifice that gives a more complete idea of its original beauty and magnificence than this ; for none has suffered so little...
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Ruins of Ancient Cities: With General and Particular Accounts of ..., Том 1

Charles Bucke - 1841 - 370 страница
...Mohammed Mir, king of Granada, in 1278. " There is no part of the edifice," says Washington Irving, " that gives us a more complete idea of its original beauty and magnificence than the Hall of Lions, for none has suffered so little from the ravages of time. In the centre stands the...
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A Narrative of Travels to Vienna, Constantinople, Athens, Naples, &c

Frances Anne Vane Marchioness of Londonderry - 1842 - 378 страница
...loveliness ; at least, no one seems to have felt it in his inmost soul as he has done. He says, speaking of the renowned Court of Lions : — " There is no part of the edifice that gives a 316 COURT OF LIONS. more complete idea of its original beauty and magnificence than this ; for none...
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A Journal of a Three Months' Tour in Portugal, Spain, Africa, &c., by the ...

Frances Anne Vane Marchioness of Londonderry - 1843 - 152 страница
...Alhambra ; at least no one seems to have felt it in his inmost soul as he has done. He says, speaking of the renowned Court of Lions : " There " is no part of the edifice that gives a more complete " idea of its original beauty and magnificence than " this ; for none has suffered...
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History of Architecture: From the Earliest Times; Its Present Condition in ...

Louisa Caroline Tuthill - 1848 - 512 страница
...Moorish peristyles. In the centre was an immense • basin a hundred and thirty feet in length and thirty in breadth stocked with gold-fish, and bordered by...original beauty and magnificence than this ; for none have suffered so little from the ravages of time. In the centre stands the fountain famous in song...
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Spanish Pictures, Drawn with Pen and Pencil

Samuel Manning - 1870 - 216 страница
...roses. At the upper end of this court rises the great Tower of Comares. From the lower end we pass through a Moorish archway into the renowned Court...Lions. There is no part of the edifice that gives a more complete idea of its original beauty and magnificence than this ; for none has suffered so little...
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Spanish Pictures, Drawn with Pen and Pencil

Samuel Manning - 1870 - 228 страница
...this particular badge on their banners. — Murray's Handbook of Spain. From the lower end we pass through a Moorish archway into the renowned Court...Lions. There is no part of the edifice that gives a more complete idea of its original beauty and magnificence than this ; for none has suffered so little...
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