The Songs of Robert BurnsDonald Low Routledge, 16. 8. 2005. - 976 страница In this definitive work for our generation, Donald Low brings together, for the first time, the words and tunes of all Burns' known songs, both `polite' and bawdy. |
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... chorus and verses. A fundamental aspect of Burns's art is that his words keep to the mood as well as the contour of each tune. The song begins: My heart was ance as blythe and free As simmer days were lang; But a bonie, westlin weaver ...
... chorus and verses. A fundamental aspect of Burns's art is that his words keep to the mood as well as the contour of each tune. The song begins: My heart was ance as blythe and free As simmer days were lang; But a bonie, westlin weaver ...
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... chorus of this song is old , the rest of it is mine . Here , once for all , let me apologise for many silly compositions of mine in this work . Many beautiful airs wanted words ; in the hurry of other avocations , if I could string a ...
... chorus of this song is old , the rest of it is mine . Here , once for all , let me apologise for many silly compositions of mine in this work . Many beautiful airs wanted words ; in the hurry of other avocations , if I could string a ...
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... chorus the 'early' form of the song he sent to her differs both from that in his letter to Thomson and from the version communicated some years later to James Johnson and printed in The Scots Musical Museum in 1796: Should auld ...
... chorus the 'early' form of the song he sent to her differs both from that in his letter to Thomson and from the version communicated some years later to James Johnson and printed in The Scots Musical Museum in 1796: Should auld ...
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... chorus. Similarly, a lovely air could persuade him to exercise his skill as collector and toucher-up of traditional material. No more than a hint from its 'old words' of a song's true potential was enough to lead to a completely new set ...
... chorus. Similarly, a lovely air could persuade him to exercise his skill as collector and toucher-up of traditional material. No more than a hint from its 'old words' of a song's true potential was enough to lead to a completely new set ...
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... Chorus O Tibbie , I hae seen the day , Ye wadna been sae shy ; For laik o ' gear ye lightly me , But , trowth , I care na by . Yestreen I met you on the moor , 5 Ye spak na but gaed by like stoure : Ye geek at me because I'm poor , But ...
... Chorus O Tibbie , I hae seen the day , Ye wadna been sae shy ; For laik o ' gear ye lightly me , But , trowth , I care na by . Yestreen I met you on the moor , 5 Ye spak na but gaed by like stoure : Ye geek at me because I'm poor , But ...
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Alexander Cunningham Amang auld lang syne ballad blaw blythe bonie lass braes braw burn stream Burns sent Burns wrote Burns's ca'd Caledonian Pocket Companion cauld charms Chorus Collection David Herd dear dearie e'en e'er Edinburgh fair flowers frae George Thomson glen green gude hame Hastie heart Herd's Highland Highland laddie ilka J. G. Lockhart Jacobite Jean John Johnie Johnson Kinsley kiss laddie Lady lassie Letter lo'e mair Mary Mauchline maun melody morning Museum ne'er never night Notes o'er Poems poet Reels Robert Burns sang Scotland Scots Musical Museum Scottish siller sing stanza Stenhouse sweet Tam Lin thee There's thou thro traditional song Tune verses weary wee thing weel wife Willie words written ye go ye'll young