The Songs of Robert BurnsDonald Low Routledge, 16. 8. 2005. - 976 страница In this definitive work for our generation, Donald Low brings together, for the first time, the words and tunes of all Burns' known songs, both `polite' and bawdy. |
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... collection in North America, as first W. Ormiston Roy Fellow at the Thomas Cooper Library at Columbia. Roger Mortimer and his colleagues in the Rare Book Room of the Thomas Cooper Library of the University of South Carolina were ...
... collection in North America, as first W. Ormiston Roy Fellow at the Thomas Cooper Library at Columbia. Roger Mortimer and his colleagues in the Rare Book Room of the Thomas Cooper Library of the University of South Carolina were ...
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... Collection of Original Scotish Airs (1793–1818), James Currie's Works of Robert Burns (Liverpool, 1800), and R. H. Cromek's Reliques of Robert Burns (1808). Other song texts are drawn from The Songs of Robert Burns, ed. James C. Dick ...
... Collection of Original Scotish Airs (1793–1818), James Currie's Works of Robert Burns (Liverpool, 1800), and R. H. Cromek's Reliques of Robert Burns (1808). Other song texts are drawn from The Songs of Robert Burns, ed. James C. Dick ...
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... Collection , and those that were obscene or politically radical - leaving room for all kinds of mistakes to occur . The Burns collections of Dick and Kinsley are magnificent pieces of scholarship , identifying the tunes that Burns asked ...
... Collection , and those that were obscene or politically radical - leaving room for all kinds of mistakes to occur . The Burns collections of Dick and Kinsley are magnificent pieces of scholarship , identifying the tunes that Burns asked ...
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... collections. Burns, like any traditional singer, carried songs round in his head and sang them at all hours of the day. He thus saw a tune's natural mode as an unaccompanied melodic line. This was so even when he was handling tunes by ...
... collections. Burns, like any traditional singer, carried songs round in his head and sang them at all hours of the day. He thus saw a tune's natural mode as an unaccompanied melodic line. This was so even when he was handling tunes by ...
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Donald Low. with great credit. We hope that they, and the other unfamiliar pieces in this collection, will shed a new light on the breadth of Burns's song writing. a' all aboon above ae one aff off ain own.
Donald Low. with great credit. We hope that they, and the other unfamiliar pieces in this collection, will shed a new light on the breadth of Burns's song writing. a' all aboon above ae one aff off ain own.
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Alexander Cunningham Amang auld lang syne ballad blaw blythe bonie lass braes braw burn stream Burns sent Burns wrote Burns's ca'd Caledonian Pocket Companion cauld charms Chorus Collection David Herd dear dearie e'en e'er Edinburgh fair flowers frae George Thomson glen green gude hame Hastie heart Herd's Highland Highland laddie ilka J. G. Lockhart Jacobite Jean John Johnie Johnson Kinsley kiss laddie Lady lassie Letter lo'e mair Mary Mauchline maun melody morning Museum ne'er never night Notes o'er Poems poet Reels Robert Burns sang Scotland Scots Musical Museum Scottish siller sing stanza Stenhouse sweet Tam Lin thee There's thou thro traditional song Tune verses weary wee thing weel wife Willie words written ye go ye'll young