The Songs of Robert BurnsDonald Low Routledge, 16. 8. 2005. - 976 страница In this definitive work for our generation, Donald Low brings together, for the first time, the words and tunes of all Burns' known songs, both `polite' and bawdy. |
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... find their way into print; while conversely, songs acquired from printed sources sometimes enjoyed such a vogue that their words and melodies were learned by heart. Burns in Ayrshire During his early years in Ayrshire, Burns.
... find their way into print; while conversely, songs acquired from printed sources sometimes enjoyed such a vogue that their words and melodies were learned by heart. Burns in Ayrshire During his early years in Ayrshire, Burns.
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... heart - moving melody of the first . — This particularly is the case with all those airs which end with a hypermetrical syllable.18 — The allusion here to the setting of a well - known song in Robert Bremner's Thirty Scots Songs for a ...
... heart - moving melody of the first . — This particularly is the case with all those airs which end with a hypermetrical syllable.18 — The allusion here to the setting of a well - known song in Robert Bremner's Thirty Scots Songs for a ...
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... heart-melting tenderness in some of these ancient fragments, which show them to be the work of a masterly hand; and it has often given me many a heart ake to reflect that such glorious old Bards — Bards, who, very probably, owed all ...
... heart-melting tenderness in some of these ancient fragments, which show them to be the work of a masterly hand; and it has often given me many a heart ake to reflect that such glorious old Bards — Bards, who, very probably, owed all ...
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... heart was ance as blythe and free', a wry song in which a girl tells the story of her seduction by a weaver. It makes use of two different melodies, in chorus and verses. A fundamental aspect of Burns's art is that his words keep to the ...
... heart was ance as blythe and free', a wry song in which a girl tells the story of her seduction by a weaver. It makes use of two different melodies, in chorus and verses. A fundamental aspect of Burns's art is that his words keep to the ...
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... heart was ance as blythe and free ' to understand that Burns was being modest in the extreme about what he had accomplished in this instance . The chorus alone was to hand . Not only did he supply the entire narrative of the girl's ...
... heart was ance as blythe and free ' to understand that Burns was being modest in the extreme about what he had accomplished in this instance . The chorus alone was to hand . Not only did he supply the entire narrative of the girl's ...
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Alexander Cunningham Amang auld lang syne ballad blaw blythe bonie lass braes braw burn stream Burns sent Burns wrote Burns's ca'd Caledonian Pocket Companion cauld charms Chorus Collection David Herd dear dearie e'en e'er Edinburgh fair flowers frae George Thomson glen green gude hame Hastie heart Herd's Highland Highland laddie ilka J. G. Lockhart Jacobite Jean John Johnie Johnson Kinsley kiss laddie Lady lassie Letter lo'e mair Mary Mauchline maun melody morning Museum ne'er never night Notes o'er Poems poet Reels Robert Burns sang Scotland Scots Musical Museum Scottish siller sing stanza Stenhouse sweet Tam Lin thee There's thou thro traditional song Tune verses weary wee thing weel wife Willie words written ye go ye'll young