Douglas Jerrold's Shilling Magazine, Том 4Douglas Jerrold Punch Office, 1846 Contains Douglas Jerrold's novel St. Giles and St. James (selected issues, no. 1-29), illustrated by Leech. |
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... Fear 10 Night Fair in Alexandria . By a Resident . 492 Our Brother , who Loveth without Hope . From the Moorish 240 Our Statues and their Wardrobes . By Angus B. Reach 537 Pearls from Popish Places . By a Serious Party 259 , 349 , 432 ...
... Fear 10 Night Fair in Alexandria . By a Resident . 492 Our Brother , who Loveth without Hope . From the Moorish 240 Our Statues and their Wardrobes . By Angus B. Reach 537 Pearls from Popish Places . By a Serious Party 259 , 349 , 432 ...
Страница 9
... Mr. Ralph Gum quitted the room , leaving the fair stranger , as he thought , in profoundest admiration of the disin- terestedness of footmen . NEVER FEAR . THOUGH the clouds are black as night ST . GILES AND ST . JAMES . 9.
... Mr. Ralph Gum quitted the room , leaving the fair stranger , as he thought , in profoundest admiration of the disin- terestedness of footmen . NEVER FEAR . THOUGH the clouds are black as night ST . GILES AND ST . JAMES . 9.
Страница 10
Douglas Jerrold. NEVER FEAR . THOUGH the clouds are black as night , Never fear ! Though the lightning's deadly bright , Never fear ! Though the thunderbolt is red , Though the shaft of death is sped , God is present overhead- Never fear ...
Douglas Jerrold. NEVER FEAR . THOUGH the clouds are black as night , Never fear ! Though the lightning's deadly bright , Never fear ! Though the thunderbolt is red , Though the shaft of death is sped , God is present overhead- Never fear ...
Страница 34
... fears of the possessors , they were the produce of fraud or violence ; far from it ; they are the gleanings of the most rigid parsimony , from the results of hard , earnest , and most ill - paid toil . The previous reasoning replies ...
... fears of the possessors , they were the produce of fraud or violence ; far from it ; they are the gleanings of the most rigid parsimony , from the results of hard , earnest , and most ill - paid toil . The previous reasoning replies ...
Страница 38
... fear to rest upon their right , so long are they cowards . I would say to them , but with no martial meaning- " Bide your time , the morn is breaking , Bright with Freedom's blessed ray- Millions from their trance awaking Soon shall ...
... fear to rest upon their right , so long are they cowards . I would say to them , but with no martial meaning- " Bide your time , the morn is breaking , Bright with Freedom's blessed ray- Millions from their trance awaking Soon shall ...
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asked barons barristers beauty Belgravia better Blackadders blessed Boccacio called Capstick character Clarissa court creature cried crime dear Dodypol door England English Epicurus evil exclaimed eyes face fact fear feel Fiery Furnace garden genius Giles girl give GOODWYN BARMBY hand happy Harwich head hear heard heart honour human Ireland Joe Ling justice king labour Lady land light live London look Lord Malta master means Mignonette mind Miss Kitty moral nature neighbours never night once parish parliament passed Pecker Peter des Roches poet poor present RICHARD DAVIS Sampson Hooks seemed servants shillings smile Snipeton sort soul Soundcap spirit strange sure tell things thought Tinglebury tion true truth turn village whole wife woman wonder word young Young Englander
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Страница 33 - Go to now, ye rich men, weep and howl for your miseries that shall come upon you. Your riches are corrupted, and your garments are motheaten. Your gold and silver is cankered ; and the rust of them shall be a witness against you, and shall eat your flesh as it were fire. Ye have heaped treasure together for the Last Days.
Страница 196 - Yet count our gains. This wealth is but a name That leaves our useful products still the same. Not so the loss. The man of wealth and pride Takes up a space that many poor supplied ; Space for his lake, his park's extended bounds, Space for his horses, equipage and hounds...
Страница 45 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in, glittering like the morning star, full of life, and splendour, and joy.
Страница 196 - The man of wealth and pride Takes up a space that many poor supplied; Space for his lake, his park's extended bounds, Space for his horses, equipage, and hounds: The robe that wraps his limbs in silken sloth Has robbed the neighbouring fields of half their growth; His seat, where solitary sports are seen, Indignant spurns the cottage from the green...
Страница 45 - Not one gla'nce of compassion, not one commiserating reflection that I can find throughout his book, has he bestowed on those who lingered out the most wretched of lives, a life without hope in the most miserable of prisons. It is painful to behold a man employing his talents to corrupt himself. Nature has been kinder to Mr. Burke than he is to her. He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage,...
Страница 379 - Or call up him that left half told The story of Cambuscan bold, Of Camball, and of Algarsife, And who had Canace to wife, That own'd the virtuous ring and glass, And of the wondrous horse of brass, On which the Tartar king did ride...
Страница 478 - Wit and Humour. Selected from the English Poets. With an Illustrative Essay and Critical Comments.
Страница 184 - The Debater ; a Series of Complete Debates, Outlines of Debates, and Questions for Discussion. *By F. ROWTON. Fcp.
Страница 46 - ... with the exception of his writings upon the French Revolution — an exception itself to be qualified and restricted — it would be difficult to find any statesman of any age whose opinions were more habitually marked by moderation ; by a constant regard to the...
Страница 45 - He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath purloined him from himself, he degenerates into a composition of art, and the genuine soul of nature forsakes him. His hero or his heroine must be a tragedy-victim expiring in show, and not the real prisoner of misery, sliding into death in the silence of a dungeon.