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showed, he now declared the omen to be a good one. The turning of the armour betokened that the owner of it would soon be changed from a duke into a king. If we are to believe the tale, the minstrel Taillefer obtained his leave to strike the first blow. Shouting verses from the lay of Roland and of Charlemagne, and throwing his sword up in the air to show his skill in catching it again, he advanced towards the English barrier, and having struck down. one or perhaps two men, was forthwith slain. The fight now began in earnest; and the struggle was one of the fiercest of which the history of any country has retained a record. The Norman attack was made at nine o'clock in the morning, and the shades of evening were fast closing in when the death of the heroic English king decided the issue of the day. It was decided for the precise reason of which Harold had forewarned his soldiers at the outset.

So long as his orders were obeyed, all went well for the English. The Norman host was in dire confusion, and the confusion was deepened into dismay when the rumour spread that the duke had fallen. The day was indeed all but lost, when William, tearing the helmet from his face, cried out, 'Madmen! you are flying into death; victory lies behind you! I live still, and by God's help I will yet conquer.' At length the Norman line was formed again, and they advanced to a second attack, in which William tried to reach Harold and settle their quarrel in person. His horse was killed by the lance of Harold's brother, Gyrth; but in another moment Gyrth was slain, crushed by a blow from William's mace. His death was followed immediately by that of Leofric. Of the three heroic sons of Earl Godwine, who had stood by the English standard, Harold was now the only one left. But so long as Harold lived, there might be not only hope, but a reasonable expectation of victory.

The day was wearing on, and William's heart was beginning to sink withir him,

when the thought struck him that cunning might do what brute force had failed to accomplish. He had already seen, early in the battle, that the flight of some troops of Bretons had tempted the English who were opposed to them to come down from the vantage ground in chase of the fugitives; and he was aware that, unless he could effect an entrance within the English stockade, there was no hope of success for the Normans. He therefore gave orders to some of his troops to feign a flight, and to others, that while these should draw the English after them, they should rush in by the space so left open. The trick was rewarded with a fatal success. Harold's orders were again disobeyed by his lightarmed troops, and although they fought nobly to retrieve their error, the strength of their original position could not be recovered. But the issue of the day was still very doubtful, and Harold was still alive and unwounded, when William ordered his archers to shoot their arrows high into the air. The iron shower soon made awful execution in the English ranks An arrow struck Harold in the ey piercing his brain. His axe fell from his hand, and in a few minutes the undaunted English king lay dead. English king lay dead. Norman knights thronged around him, and Norman gentlemen were not ashamed to hack and hew his body by way of taking vengeance for what they called his perjury.

The death of the king was followed by the slaughter of all his house-carls. The ranks of the light-armed were utterly broken, and they made their way as best they could from the field, inflicting as they went such blows on the pursuers as to fill them still with fear that even now they might be defeated.

Harold was dead; but even then the work of conquest for William was scarcely more than begun. Had Harold lived, it is more than likely that, even though the day was lost at Senlac, William's enterprise would have ended in complete discomfiture. But there was none to take his place; and

for the moment no one was suffered even to give to his body the rites of Christian burial. To the prayer of Harold's mother that he should allow the body to be borne to the church of his minster at Waltham, William answered, it is said, 'He guarded the shores of England while he lived; let him guard them still, now that he is dead.'

He could have uttered no worthier epitaph over the fallen hero; but after a time he seems to have relented, for there can be as little doubt that the body was reverently laid to rest near the high altar at Waltham, as that it had at first been covered by a great heap of stones on the coast of Sussex.

Gems from the Poets.

WILLIAM SHAKSPERE.

1564-1616.

WILLIAM SHAKSPERE, son of John

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two.

Shakspere, glover and sometime alderman of Stratford-on-Avon, and Mary Arden, daughter of Robert Arden of Wilmecote, his wife, was born on the 23rd of April, 1564, at his father's house in Stratford. Very little is known of his early life, but it is generally supposed that he left school at fifteen, and was occupied as a lawyer's clerk for a year or He was married at eighteen to Anne Hathaway, a yeoman's daughter of Shottery. He had three children born to him by the time he had attained his twenty-first year, and it is thought that, being in hard circumstances at that time, he went to London and joined Burbage's company at the Globe Theatre. He rose rapidly in his profession, and turning playwright, produced in the next twenty years no less than thirty-seven dramas. His earliest work, 'Venus and Adonis,' dedicated to Lord Southampton, made him famous as a poet; and in 1609, when he returned to Stratford-on-Avon, he was rich, and well known to his contemporaries. He built himself a new house, it is supposed on the site of his birthplace, and here, in 1616, on the anniversary of his birthday, he died. His best tragedies are 'Romeo and Juliet,' 'Hamlet,' Julius Cæsar,' and 'King Lear;' his comedies, Merchant of Venice,' the Henry Plays, and As you like it,' with 'Merry Wives of Windsor'; his histories, Richard II. III. and King John;' and his plays of the later period, 'Cymbeline,' the 'Tempest,' and 'Henry VIII.,' the latter of which was his last production.

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J. S. FLETCHER.

His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining school-boy, with his satchel
And shining morning face, creeping like snail

Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then, a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation

Even in the cannon's mouth. And then, the justice,
In fair round belly, with good capon lined,
With eyes severe, and beard of formal cut,
Full of wise saws and modern instances;

ANTONY'S ADDRESS
From Julius Cæsar.

Friends, Romans, countrymen, lend me your ears:

I come to bury Cæsar, not to praise him.

The evil that men do lives after them,
The good is oft interred with their bones;

So let it be with Cæsar. The noble Brutus
Hath told you Cæsar was ambitious:
If it were so, it was a grievous fault,
And grievously hath Cæsar answered it.
Here, under leave of Brutus and the rest,
(For Brutus is an honourable man,
So are they all, all honourable men,)
Come I to speak in Cæsar's funeral."
He was my friend, faithful and just to me:
But Brutus says he was ambitious;
And Brutus is an honourable man.

He hath brought many captives home to Rome,
Whose ransoms did the general coffers fill:
Did this in Cæsar seem ambitious?

And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose, and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.

TO THE ROMANS.
Act iii., Scene 2.

When that the poor have cried, Cæsar hath wept?
Ambition should be made of sterner stuff:

Yet Brutus says, he was ambitious;
And Brutus is an honourable man.
You all did see, that on the Lupercal

I thrice presented him a kingly crown,

Which he did thrice refuse: was this ambition ?
Yet Brutus says, he was ambitious;
And, sure, he is an honourable man.

I speak not to disprove what Brutus spoke,
But here I am to speak what I do know.
You all did love him once, not without cause:
What cause withholds you then to mourn for him?
O judgment! thou art fled to brutish beasts,
And men have lost their reason!-Bear with me,
My heart is in the coffin there with Cæsar,
And I must pause till it come back to me.

MILTON.

1608-1674.

PARADISE LOST. Book iii.

A Hymn to Light, with allusions to Milton's own blindness.

Hail, holy Light! offspring of Heaven first-born,
Or of the Eternal co-eternal beam,

May I express thee unblamed? Since God is Light,
And never but in unapproached light
Dwelt from eternity,-dwelt then in thee,
Bright effluence of bright essence increate!
Or hear'st thou rather, pure ethereal stream,
Whose fountain who shall tell? Before the Sun,
Before the Heavens, thou wert, and, at the voice
Of God, as with a mantle did'st invest
The rising World of waters dark and deep,
Won from the void and formless infinite.

Thee I revisit now with bolder wing,

Escaped the Stygian pool, though long detained,
In that obscure sojourn, while, in my flight
Through utter and through middle darkness borne,
With other notes than to the Orphéan lyre,
I sung of Chaos and eternal Night,

Taught by the heavenly muse to venture down
The dark descent, and up to re-ascend,
Though hard and rare. Thee I revisit safe,
And feel thy sovran vital lamp; but thou
Revisit'st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So thick a drop serene hath quenched their orbs,
Or dim suffusion veiled. Yet not the more
Cease I to wander where the muses haunt
Clear spring, or shady grove, or sunny hill,

Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks beneath,
That wash thy hallowed feet, and warbling flow,
Nightly I visit: nor sometimes forget
Those other two equalled with me in fate,
So were I equalled with them in renown,
Blind Thamyris and blind Mæonides,
And Tiresias and Phineus, prophets old:
Then feed on thoughts, that voluntary move
Harmonious numbers; as the wakeful bird
Sings darkling, and, in shadiest covert hid,
Turns her nocturnal note. Thus, with the year,
Seasons return; but not to me returns
Day, or the sweet approach of even or morn,
Or sight of vernal bloom, or summer's rose,
Or flocks, or herds, or human face divine;"
But cloud instead, and ever-during dark
Surrounds me, from the cheerful ways of men
Cut off, and, for the book of knowledge fair,
Presented with a universal blank

Of nature's works, to me expunged and rased,
And wisdom at one entrance quite shut out.
So much the rather thou, Celestial light,
Shine inward, and the mind through all her powers
Irradiate; there plant eyes; all mist from thence
Purge and disperse, that I may see and tell

Of things invisible to mortal sight.

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LE ET us take an imaginary trip up the river Thames, and note the chief points of interest on our way. We will begin first at the Nore Light-ship, which is generally considered to mark the point at which the Thames ends, and the German Ocean or North Sea begins. This light-ship is situated where the Medway pours its waters into the main stream, and as the navigation here is very intricate, owing to the numerous sand and mud banks, it is of great assistance to sailors.

Proceeding almost due west up the stream, having Essex on our right hand and Kent on the left, we soon leave the thriving watering-place, Southend, behind us, with perhaps now and then the heavy boom of the guns being tried at Shoeburyness to draw our attention to that side of the river. We then traverse Gravesend Reach, pass Tilbury Fort, which recalls to our minds Queen Elizabeth and old Armada days, and on the southern side the busy town of Gravesend, and stretch onwards towards Erith, near which the river Darent joins the Thames. Ten miles farther up is Woolwich, a great military depôt and arsenal, where arms of all descriptions, from the eighty-one-ton gun downward, are manufactured and stored.

A few miles more bring us to Greenwich,

remarkable for its Hospital and Observatory, and the region of Docks, which line both sides of the river for some miles, and being generally crowded with ships of all sorts and sizes, seem regularly to bristle with masts and spars. The river Lea here joins the Thames on the northern side. The docks continue pretty nearly until we reach the Tower of London, a gloomylooking fortress on our right going up, just before we come to the first bridge over the Thames-London Bridge.

We cannot afford space here to mention in detail all the interesting buildings we see while passing through London; it must suffice to say, that in the seven or eight miles of our journey through the metropolis we go under about a dozen bridges, catch a glimpse of St. Paul's Cathedral, Cleopatra's Needle, and the Houses of Parliament on the right, and Lambeth Palace on the left, and rapidly find the river getting clearer as we leave the City behind us.

The next town of any size we come to is Brentford, on the north, with Kew, celebrated for its Gardens and Observatory, on the opposite side.

From these, passing several 'aits' or 'eyots,' as the islands in the river are called, we soon reach Richmond, with its famous Star and Garter Hotel.

Onwards past Kingston, with Hampton Court on the opposite northern side of the river, past the mouths of the Mole and Wey, and we soon reach Chertsey, in the stretch between which and Windsor, whose castle is a striking feature on the southern bank, we pass Staines, near the mouth of the Colne, Runnymede, and Magna Charta Island, famed in the annals of King John. Opposite Windsor is Eton, celebrated for its school. The next large town we arrive at is one famous for its biscuit factories-Reading, at the junction of the Thames and Kennet-before reaching which, however, we leave behind us Maidenhead, Great Marlow, and Henley.

After passing Reading (with the counties Oxfordshire and Berkshire on the north and south respectively) and the mouth of the tributary Thame, which is said to give

its name to the main stream, and Abingdon, which marks the entrance to the Vale of the White Horse, so called from the figure of a huge horse cut in the turf on the slope of one of its bounding hills, we reach the great university city, Oxford.

Above this the Thames is called the Isis, and rapidly narrows as we draw nearer its source. We pass the points at which the Evenlode and Windrush join the main stream, and the country town of Cricklade, and, taking the small river Churn as the originating stream of the river Thames (it is thus marked in the map above), we find it rises at a place called the Seven Springs, in the Cotswold Hills, Gloucestershire. Another source, a rival to the foregoing, is known as Thames Head, and lies some miles to the south-west of the town of Cirencester.

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