HamletPenguin UK, 7. 4. 2005. - 400 страница 'The Mona Lisa of literature' T. S. Eliot |
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... give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays is explicitly set in his own time. The action of few of them (except for the English histories) is set even partly in England ...
... give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays is explicitly set in his own time. The action of few of them (except for the English histories) is set even partly in England ...
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... give him drink. For in so doing thou shalt heap coals of fire on his head' (Romans 12:19–20 (Bishops' Bible, 1568, etc.)). The individual Christian, therefore, is not to take the law into his own hands. Observe that this is not a very ...
... give him drink. For in so doing thou shalt heap coals of fire on his head' (Romans 12:19–20 (Bishops' Bible, 1568, etc.)). The individual Christian, therefore, is not to take the law into his own hands. Observe that this is not a very ...
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... give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it ... gives way to a conventional motif. Of course, it is Hamlet who gives the strongest impression of subjectivity ...
... give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it ... gives way to a conventional motif. Of course, it is Hamlet who gives the strongest impression of subjectivity ...
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... give order that these bodies High on a stage be placèd to the view. And let me speak to th'yet unknowing world How these things came about. (V.2.371–4) Fortinbras is pleased: 'Let us haste to hear it, | And call the noblest to the ...
... give order that these bodies High on a stage be placèd to the view. And let me speak to th'yet unknowing world How these things came about. (V.2.371–4) Fortinbras is pleased: 'Let us haste to hear it, | And call the noblest to the ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word