HamletPenguin UK, 7. 4. 2005. - 400 страница 'The Mona Lisa of literature' T. S. Eliot |
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... heaven. When someone is skulking behind the arras in Gertrude's chamber Hamlet kills him without hesitation, believing it to be the King. So we might say that the Prince is fairly punctual. On the other hand, the idea that he delays is ...
... heaven. When someone is skulking behind the arras in Gertrude's chamber Hamlet kills him without hesitation, believing it to be the King. So we might say that the Prince is fairly punctual. On the other hand, the idea that he delays is ...
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... the quarrel; for God's substitute, His deputy anointed in His sight, Hath caused his death; the which if wrongfully, Let heaven revenge, for I may never lift An angry arm against His minister. (I.2.37–41) In Richard II.
... the quarrel; for God's substitute, His deputy anointed in His sight, Hath caused his death; the which if wrongfully, Let heaven revenge, for I may never lift An angry arm against His minister. (I.2.37–41) In Richard II.
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... heaven and the saints are collaborating in avenging his son: Why, then I see that heaven applies our drift, And all the saints do sit soliciting For vengeance on those cursed murderers. (IV.1.31–3) In John Marston's Antonio's Revenge (c ...
... heaven and the saints are collaborating in avenging his son: Why, then I see that heaven applies our drift, And all the saints do sit soliciting For vengeance on those cursed murderers. (IV.1.31–3) In John Marston's Antonio's Revenge (c ...
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... heaven and earth, Horatio, Than are dreamt of in your philosophy. (I.5.166–7) The development of Senecan motifs in Hamlet, alongside Christian attitudes, provokes two further thoughts. First, while the general tone of the play appears ...
... heaven and earth, Horatio, Than are dreamt of in your philosophy. (I.5.166–7) The development of Senecan motifs in Hamlet, alongside Christian attitudes, provokes two further thoughts. First, while the general tone of the play appears ...
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... heaven ordinant' (i.e. 'in control'; V.2.10–11, 48). The shaping of events seems to require an extra-terrestrial explanation; so the Prince recognizes the folly and pretension of humanistic aspiration, and acknowledges the controlling ...
... heaven ordinant' (i.e. 'in control'; V.2.10–11, 48). The shaping of events seems to require an extra-terrestrial explanation; so the Prince recognizes the folly and pretension of humanistic aspiration, and acknowledges the controlling ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word