HamletPenguin UK, 7. 4. 2005. - 400 страница 'The Mona Lisa of literature' T. S. Eliot |
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... misogynist – though he shows signs of both. Anyway, melancholy and misogyny are familiar stances for the malcontent at court, and not individual to Hamlet. The fate of Ophelia, Laertes and Polonius is determined more by their status at ...
... misogynist – though he shows signs of both. Anyway, melancholy and misogyny are familiar stances for the malcontent at court, and not individual to Hamlet. The fate of Ophelia, Laertes and Polonius is determined more by their status at ...
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... misogyny precede the Ghost's revelation. The case is not conclusive either way. Leaping into Ophelia's grave with Laertes might be attributed to a contrived antic disposition, but Hamlet says otherwise: 'But I am very sorry, good ...
... misogyny precede the Ghost's revelation. The case is not conclusive either way. Leaping into Ophelia's grave with Laertes might be attributed to a contrived antic disposition, but Hamlet says otherwise: 'But I am very sorry, good ...
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... misogyny. What is rotten in the state of Denmark? The persistent answer is: female sexuality. 'Frailty, thy name is woman', Hamlet asserts, even before he gets the message of the Ghost (I.2.146). Ophelia comes in for some standard abuse ...
... misogyny. What is rotten in the state of Denmark? The persistent answer is: female sexuality. 'Frailty, thy name is woman', Hamlet asserts, even before he gets the message of the Ghost (I.2.146). Ophelia comes in for some standard abuse ...
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... misogyny and the double standard; the historicity, coherence and universality of the Shakespearian text. The telling and retelling of stories is our main means for getting some insight into and control over our circumstances. The desire ...
... misogyny and the double standard; the historicity, coherence and universality of the Shakespearian text. The telling and retelling of stories is our main means for getting some insight into and control over our circumstances. The desire ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word