HamletPenguin UK, 7. 4. 2005. - 400 страница 'The Mona Lisa of literature' T. S. Eliot |
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... thou shalt heap coals of fire on his head' (Romans 12:19–20 (Bishops' Bible, 1568, etc.)). The individual Christian, therefore, is not to take the law into his own hands. Observe that this is not a very generous programme, however: as ...
... thou shalt heap coals of fire on his head' (Romans 12:19–20 (Bishops' Bible, 1568, etc.)). The individual Christian, therefore, is not to take the law into his own hands. Observe that this is not a very generous programme, however: as ...
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... thou hast been As one, in suffering all, that suffers nothing, A man that Fortune's buffets and rewards Hast ta'en with equal thanks. (III.2.75–8) By subduing his emotions, Horatio frees himself from the effects of fortune and becomes ...
... thou hast been As one, in suffering all, that suffers nothing, A man that Fortune's buffets and rewards Hast ta'en with equal thanks. (III.2.75–8) By subduing his emotions, Horatio frees himself from the effects of fortune and becomes ...
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... thou hadst not come to my bed.' (IV.5.63–7) Meanwhile a double standard is again manifest when Polonius contrives to check up on Laertes. He wants Reynaldo to gain confidences about his son's behaviour by attributing to him 'wanton ...
... thou hadst not come to my bed.' (IV.5.63–7) Meanwhile a double standard is again manifest when Polonius contrives to check up on Laertes. He wants Reynaldo to gain confidences about his son's behaviour by attributing to him 'wanton ...
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... Thou turnest mine eyes into my very soul, And there I see such black and grainèd spots As will not leave their tinct. (III.4.89–92) Actually, little of the rottenness in Denmark derives from the women; rather, they are pretexts in the ...
... Thou turnest mine eyes into my very soul, And there I see such black and grainèd spots As will not leave their tinct. (III.4.89–92) Actually, little of the rottenness in Denmark derives from the women; rather, they are pretexts in the ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word