The Actor and the TextVirgin, 1992 - 303 страница Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Страница 78
... action . They need care because they provide a formal ending to what may have been a free and naturalistic piece of writing ; so again it is to do with style . They are a gesture in verbal terms , rather like a music - hall comedian who ...
... action . They need care because they provide a formal ending to what may have been a free and naturalistic piece of writing ; so again it is to do with style . They are a gesture in verbal terms , rather like a music - hall comedian who ...
Страница 105
... action . This is particularly apparent in the soliloquies , where , in nearly every case , the character argues his position and moves through to some kind of solution . Now an actor can be aware of the action through a speech , but ...
... action . This is particularly apparent in the soliloquies , where , in nearly every case , the character argues his position and moves through to some kind of solution . Now an actor can be aware of the action through a speech , but ...
Страница 208
Cicely Berry. 9 The final statement and resolve to take action , though as yet the precise action is in question . As you will see there is a lot of information in the speech , both about the hard facts of the situation , and about ...
Cicely Berry. 9 The final statement and resolve to take action , though as yet the precise action is in question . As you will see there is a lot of information in the speech , both about the hard facts of the situation , and about ...
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by Trevor Nunn 789 | 9 |
Heightened versus Naturalistic Text | 32 |
Shakespeare Setting out the Rules | 52 |
Ауторска права | |
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Чести термини и фразе
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing