The Actor and the TextVirgin, 1992 - 303 страница Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Страница 129
... beginning . Each individual thought throughout , both refers back to the beginning , and takes us further towards the end . So in a very real sense the end is in the beginning and the beginning in the end . The speech covers both ...
... beginning . Each individual thought throughout , both refers back to the beginning , and takes us further towards the end . So in a very real sense the end is in the beginning and the beginning in the end . The speech covers both ...
Страница 228
... beginning give us the sense of unease of a country on guard against invasion , but also a more particular sense of their own fear as if they are watching with their whole bodies . We are also made to question what is real and what is ...
... beginning give us the sense of unease of a country on guard against invasion , but also a more particular sense of their own fear as if they are watching with their whole bodies . We are also made to question what is real and what is ...
Страница 237
... beginning , and ends with the emotive two lines ; Return thee therefore with a flood of tears , And wash away thy Country's stained spots . The second speech drops at the beginning in order that the argument can be presented reasonably ...
... beginning , and ends with the emotive two lines ; Return thee therefore with a flood of tears , And wash away thy Country's stained spots . The second speech drops at the beginning in order that the argument can be presented reasonably ...
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by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
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Чести термини и фразе
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing