The Actor and the TextVirgin, 1992 - 303 страница Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Страница 47
... happen with it . Ambiguity is always communicated either to another character or to the audience : the choice of the word is its sub - text . And I think on the whole we are afraid of ambiguity . The way the language happens always begs ...
... happen with it . Ambiguity is always communicated either to another character or to the audience : the choice of the word is its sub - text . And I think on the whole we are afraid of ambiguity . The way the language happens always begs ...
Страница 186
... happens is this : although you know it is set up as an exercise and therefore not serious , it is still irritating to have someone jostle you and so something else happens vocally , the voice sits down as it were , and you find it ...
... happens is this : although you know it is set up as an exercise and therefore not serious , it is still irritating to have someone jostle you and so something else happens vocally , the voice sits down as it were , and you find it ...
Страница 273
... happens incidentally . Of course inflection is part of it , but cadence happens because of the musical flow of the language , and because of the underlying drive of the thought and the shape of the whole . I am not talking about being ...
... happens incidentally . Of course inflection is part of it , but cadence happens because of the musical flow of the language , and because of the underlying drive of the thought and the shape of the whole . I am not talking about being ...
Садржај
by Trevor Nunn 789 | 9 |
Heightened versus Naturalistic Text | 32 |
Shakespeare Setting out the Rules | 52 |
Ауторска права | |
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Чести термини и фразе
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing