The Actor and the TextVirgin, 1992 - 303 страница Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Страница 15
... language . Therefore we have to work at language as well as voice ; we have to practise it , in a sense , to get more adept at feeling its weight and movement . Just as , in everyday life , how a person uses language ( or does not use ...
... language . Therefore we have to work at language as well as voice ; we have to practise it , in a sense , to get more adept at feeling its weight and movement . Just as , in everyday life , how a person uses language ( or does not use ...
Страница 19
... language and not the discovery of the thought . This does not stop us being able to have a perspective on the language when we wish . I would like to put this another way : in our concern to get the motive right , we sometimes think the ...
... language and not the discovery of the thought . This does not stop us being able to have a perspective on the language when we wish . I would like to put this another way : in our concern to get the motive right , we sometimes think the ...
Страница 293
... language , and the effect that has on the voice . Although I chose to work with Hindi texts , that was often their second language , and for all the reasons we know about of wanting to make your voice behave , of making sense of a language ...
... language , and the effect that has on the voice . Although I chose to work with Hindi texts , that was often their second language , and for all the reasons we know about of wanting to make your voice behave , of making sense of a language ...
Садржај
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Ауторска права | |
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Чести термини и фразе
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing