The Actor and the TextVirgin, 1992 - 303 страница Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Страница 17
... once they are in print , so an actor , once he has committed himself to speech , either in rehearsal or in performance , feels he has said something both about himself and about his work which cannot be retracted . This is part of the ...
... once they are in print , so an actor , once he has committed himself to speech , either in rehearsal or in performance , feels he has said something both about himself and about his work which cannot be retracted . This is part of the ...
Страница 130
... once on a path it has to keep going . Once you get to the point of speaking the thought , the action becomes inevitable . You also find how the pulse of the character changes within the thought , so : ' He would be crowned ' the thought ...
... once on a path it has to keep going . Once you get to the point of speaking the thought , the action becomes inevitable . You also find how the pulse of the character changes within the thought , so : ' He would be crowned ' the thought ...
Страница 276
... Once you feel that it is the easier way and that it gives you the freedom and strength you want , you will use it ... once . And repeat again once or twice during the floor exercises . Take time to feel your back spread . Breathing ...
... Once you feel that it is the easier way and that it gives you the freedom and strength you want , you will use it ... once . And repeat again once or twice during the floor exercises . Take time to feel your back spread . Breathing ...
Садржај
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Ауторска права | |
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Чести термини и фразе
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing