The Actor and the TextVirgin, 1992 - 303 страница Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Страница 59
... possible one . Line 14 A slower rhythm , with the caesura after ' miss ' , to point up the plea for the audience's tolerance towards the players . This final couplet rounds the whole thought off , and empha- sizes the invitation to ...
... possible one . Line 14 A slower rhythm , with the caesura after ' miss ' , to point up the plea for the audience's tolerance towards the players . This final couplet rounds the whole thought off , and empha- sizes the invitation to ...
Страница 80
... possible within a line , and therefore how the quality of each play is so different . Even if we do not know the particular play well , the points made will begin to seep into our subconscious , and they will interrelate between the ...
... possible within a line , and therefore how the quality of each play is so different . Even if we do not know the particular play well , the points made will begin to seep into our subconscious , and they will interrelate between the ...
Страница 276
... possible . First , find out how you feel most comfortable , whether with your legs crooked or flat . If you prefer them crooked up , then make sure they are crooked high and steady , with the feet and knees about six inches apart . If ...
... possible . First , find out how you feel most comfortable , whether with your legs crooked or flat . If you prefer them crooked up , then make sure they are crooked high and steady , with the feet and knees about six inches apart . If ...
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by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Ауторска права | |
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Чести термини и фразе
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing