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THE CATHEDRAL.

FAR through the memory shines a happy | Can overtake the rapture of the sense,

day,

Cloudless of care, down-shod to every

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To thrust between ourselves and what

we feel,

Have something in them secretly divine. Vainly the eye, once schooled to serve the brain,

With pains deliberate studies to renew The ideal vision: second-thoughts are prose;

For beauty's acme hath a term as brief As the wave's poise before it break in pearl.

Our own breath dims the mirror of the sense,

Looking too long and closely at a flash We snatch the essential grace of meaning out,

And that first passion beggars all behind,

Heirs of a tamer transport prepossessed. Who, seeing once, has truly seen again The gray vague of unsympathizing sea That dragged his Fancy from her moorings back

To shores inhospitable of eldest time, Till blank foreboding of earth-gendered powers,

Pitiless seignories in the elements, Omnipotences blind that darkling smite, Misgave him, and repaganized the world?

Yet, by some subtler touch of sympathy, These primal apprehensions, dimly stirred,

Perplex the eye with pictures from within.

This hath made poets dream of lives foregone

In worlds fantastical, more fair than ours; So Memory cheats us, glimpsing halfrevealed.

Even as I write she tries her wonted spell

In that continuous redbreast boding rain :

The bird I hear sings not from yonder elm;

But the flown ecstasy my childhood heard

Is vocal in my mind, renewed by him, Haply made sweeter by the accumulate thrill

That threads my undivided life and steals

A pathos from the years and graves be

tween.

I know not how it is with other men,
Whom I but guess, deciphering myself;
For me, once felt is so felt nevermore.
The fleeting relish at sensation's brim
Had in it the best ferment of the wine.
One spring I knew as never any since:
All night the surges of the warm south-

west

Boomed intermittent through the shuddering elins,

And brought a morning from the Gulf adrift,

Omnipotent with sunshine, whose quick

charm

Startled with crocuses the sullen turf And wiled the bluebird to his whiff of song:

That made familiar fields seem far and strange

As those stark wastes that whiten end-
lessly

In ghastly solitude about the pole,
And gleam relentless to the unsetting

sun:

Instant the candid chambers of my brain
Were painted with these sovran images;
And later visions seem but copies pale
From those unfading frescos of the past,
Which I, young savage, in my age of
flint,

Gazed at, and dimly felt a power in me
Parted from Nature by the joy in her
That doubtfully revealed me to myself.
Thenceforward I must stand outside the
gate;

And paradise was paradise the more,
Known once and barred against satiety.

What we call Nature, all outside our-
selves,

Is but our own conceit of what we see,
Our own reaction upon what we feel;
The world's a woman to our shifting
mood,

Feeling with us, or making due pretence;
And therefore we the more persuade our-
selves

To make all things our thought's confederates,

One summer hour abides, what time I
perched,
Dappled with noonday, under simmer-So
ing leaves,

And pulled the pulpy oxhearts, while
aloof

An oriole clattered and the robins shrilled,

Denouncing me an alien and a thief: One morn of autumn lords it o'er the rest,

When in the lane I watched the ashleaves fall,

Balancing softly earthward without wind,

Or twirling with directer impulse down On those fallen yesterday, now barbed with frost,

While I grew pensive with the pensive year:

And once I learned how marvellous

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Conniving with us in whate'er we dream. when our Fancy seeks analogies, Though she have hidden what she after finds,

She loves to cheat herself with feigned surprise.

I find my own complexion everywhere:
No rose, I doubt, was ever, like the
first,

A marvel to the bush it dawned upon,
The rapture of its life made visible,
The mystery of its yearning realized,
As the first babe to the first woman
born;

No falcon ever felt delight of wings
As when, an eyas, from the stolid cliff
Loosing himself, he followed his high
heart

To swim on sunshine, masterless as
wind;

And I believe the brown earth takes delight

In the new snowdrop looking back at her,

To think that by some vernal alchemy

It could transmute her darkness into | Music where none is, and a keener pang Of exquisite surmise outleaping thought,

pearl;

What is the buxom peony after that, With its coarse constancy of hoyden

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Her will I pamper in her luxury: No crumpled rose-leaf of too careless choice

Shall bring a northern nightmare to her dreams,

Vexing with sense of exile; hers shall be

The invitiate firstlings of experience, Vibrations felt but once and felt lifelong:

O, more than half-way turn that Grecian front

Upon me, while with self-rebuke I spell, On the plain fillet that confines thy hair In conscious bounds of seeming unconstraint,

The Naught in overplus, thy race's badge!

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I was a poacher on their self-preserve, Intent constructively on lese-anglicism. To them (in those old razor-ridden days) My beard translated me to hostile French;

So they, desiring guidance in the town, Half condescended to my baser sphere, And, clubbing in one mess their lack of phrase,

Set their best man to grapple with the Gaul.

"Esker vous ate a nabitang?" he asked; "I never ate one; are they good?" asked I;

Whereat they stared, then laughed, and we were friends,

The seas, the wars, the centuries interposed,

Abolished in the truce of common speech And mutual comfort of the mothertongue.

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Chance led me to a public pleasureground,

Where I grew kindly with the merry

groups,

And blessed the Frenchman for his simple art

Of being domestic in the light of day. His language has no word, we growl, for Home;

But he can find a fireside in the sun,

Play with his child, make love, and shriek his mind,

By throngs of strangers undisprivacied.
He makes his life a public gallery,
Nor feels himself till what he feels comes
back

In manifold reflection from without; While we, each pore alert with consciousness,

Hide our best selves as we had stolen them,

And each bystander a detective were, Keen-eyed for every chink of undisguise.

So, musing o'er the problem which was best,

A life wide-windowed, shining all abroad, Or curtains drawn to shield from sight profane

The rites we pay to the mysterious I,

With outward senses furloughed and head bowed

I followed some fine instinct in my feet, Till, to unbend me from the loom of thought,

Looking up suddenly, I found mine eyes

Confronted with the minster's vast repose.

Silent and gray as forest-leaguered cliff Left inland by the ocean's slow retreat, That hears afar the breeze-borne rote and longs,

Remembering shocks of surf that clomb and fell,

Spume-sliding down the baffled decuman,
It rose before me, patiently remote
From the great tides of life it breasted

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Graceful, grotesque, with ever new sur- | Across this bound-mark where their

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I looked, and owned myself a happy Goth.

Your blood is mine, ye architects of dream,

Builders of aspiration incomplete,

So more consummate, souls self-confident,

Who felt your own thought worthy of record

In monumental pomp! No Grecian drop Rebukes these veins that leap with kindred thrill,

After long exile, to the mother-tongue.

Ovid in Pontus, puling for his Rome
Of men invirile and disnatured dames
That poison sucked from the Attic
bloom decayed,

Shrank with a shudder from the blueeyed race

Whose force rough-handed should renew the world,

And from the dregs of Romulus express Such wine as Dante poured, or he who blew

Roland's vain blast, or sang the Campeador

In verse that clanks like armor in the charge,

Homeric juice, if brimmed in Odin's horn.

And they could build, if not the columned fane

That from the height gleamed seaward many-hued,

Something more friendly with their ruder skies:

The gray spire, molten now in driving mist,

Now lulled with the incommunicable blue;

The carvings touched to meanings new

with snow,

Or commented with fleeting grace of

shade;

The statues, motley as man's memory, Partial as that, so mixed of true and false,

History and legend meeting with a kiss

realms confine;

The painted windows, freaking gloom with glow,

Dusking the sunshine which they seem to cheer,

Meet symbol of the senses and the soul, And the whole pile, grim with the Northman's thought

Of life and death, and doom, life's equal fee,

These were before me and I gazed abashed,

Child of an age that lectures, not creates, Plastering our swallow-nests on the awful Past,

And twittering round the work of larger men,

As we had builded what we but deface. Far up the great bells wallowed in delight,

Tossing their clangors o'er the heedless town,

To call the worshippers who never came, Or women mostly, in loath twos and threes.

I entered, reverent of whatever shrine
Guards piety and solace for my kind
Or gives the soul a moment's truce of
God,

And shared decorous in the ancient rite
My sterner fathers held idolatrous.
The service over, I was tranced in
thought:

Solemn the deepening vaults, and most

to me,

Fresh from the fragile realm of deal and paint,

Or brick mock-pious with a marble front;

Solemn the lift of high-embowered roof, The clustered stems that spread in boughs disleaved,

Through which the organ blew a dream of storm,

Though not more potent to sublime with awe

And shut the heart up in tranquillity,
Than aisles to me familiar that o'erarch
The conscious silences of brooding
woods,

Centurial shadows, cloisters of the elk :
Yet here was sense of undefined regret,
Irreparable loss, uncertain what :
Was all this grandeur but anachro-
nism,

| A shell divorced of its informing life,

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