The Art of Speech and DeportmentA. C. McClurg & Company, 1909 - 372 страница |
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Страница 20
... appearance , which is marked by neither timidity nor boldness ; which is individual without being assertive , deferential without being obsequious . Q. Where are the foundations of deportment and good manners laid ? A. In the family . A ...
... appearance , which is marked by neither timidity nor boldness ; which is individual without being assertive , deferential without being obsequious . Q. Where are the foundations of deportment and good manners laid ? A. In the family . A ...
Страница 53
... appearance of ease . Q. Where does the body rest ? A. Upon the foot retired , forming a straight line from head to heel , while the line from your head to the toe of the foot advanced is a crescent curve as essentially graceful as its ...
... appearance of ease . Q. Where does the body rest ? A. Upon the foot retired , forming a straight line from head to heel , while the line from your head to the toe of the foot advanced is a crescent curve as essentially graceful as its ...
Страница 56
... advance . Let it take on , slightly , the appearance of drag- ging a weight or of adhering to the floor or ground . It is not to be picked up and disposed of as hastily as possible ; and in it neither 56 THE ART OF SPEECH AND DEPORTMENT.
... advance . Let it take on , slightly , the appearance of drag- ging a weight or of adhering to the floor or ground . It is not to be picked up and disposed of as hastily as possible ; and in it neither 56 THE ART OF SPEECH AND DEPORTMENT.
Страница 61
... appearance of weakness . The best exercise to that end will be found in swinging the legs out backward and forward and horizontally to the sides , until the muscles are made strong and firm and completely under the control of the will ...
... appearance of weakness . The best exercise to that end will be found in swinging the legs out backward and forward and horizontally to the sides , until the muscles are made strong and firm and completely under the control of the will ...
Страница 70
... polite society you do not lounge or take on the appearance of indolence or sensuous satisfaction . Q. Is the crossing of the legs prohibited ? 2 A. In an older and more formal day this 70 THE ART OF SPEECH AND DEPORTMENT.
... polite society you do not lounge or take on the appearance of indolence or sensuous satisfaction . Q. Is the crossing of the legs prohibited ? 2 A. In an older and more formal day this 70 THE ART OF SPEECH AND DEPORTMENT.
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action Answer attitude audience body bowing breath called Celts character chest classic unities clavicular comedy consonant diaphragm drama Edward Eleanora Duse Émile Augier emotion English epiglottis example exercise feet fingers foot forward gait gesture Give glottis graceful habit Hamlet hand heels important indicates intercostal muscles knee language larynx last Duchess lips look lower lungs manners ment mental Merchant of Venice mind mither morality play mouth movement muscles nasal never normal voice palm persons pharynx phrase pitch play poise possible pronunciation quality of voice Question raising reading rehearser Repeat scene sense short shoulders Shylock slight slightly speaking speech stage stand thee thou thought throat tion tone placing tongue torso trunk Twelfth Night vocal cords vocal organs vowel vowel sounds walk weight Words for practice wrist wul ye
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Страница 7 - I'll leave you till night; you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Giiildenstern. Ham. Ay, so, God be wi' ye :—Now I am alone. O, what a rogue and 'peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit...
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Страница 160 - E'en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene'er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will't please you rise? We'll meet The company below, then. I repeat, The Count your master's known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter's self, as I avowed At starting, is...
Страница 116 - Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it.
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Страница 117 - Make us glad according to the days wherein thou hast afflicted us, and the years wherein we have seen evil.
Страница 119 - Never, lago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont...
Страница 160 - The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace all and each Would draw from her alike the approving speech, Or blush, at least.