The Art of Speech and DeportmentA. C. McClurg & Company, 1909 - 372 страница |
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Страница 14
... Action is the rendering of the deeds and speech of every - day life , in a manner suitable to the platform or stage ; an outward expression of feeling calculated to impress the audience with a 14 THE ART OF SPEECH AND DEPORTMENT.
... Action is the rendering of the deeds and speech of every - day life , in a manner suitable to the platform or stage ; an outward expression of feeling calculated to impress the audience with a 14 THE ART OF SPEECH AND DEPORTMENT.
Страница 15
Anna Morgan. expression of feeling calculated to impress the audience with a sense of truth , sometimes even at the sacrifice of literal fact . Q. What is Gesture ? A. Gesture is the movement of the limbs , in- cluding the hands , arms ...
Anna Morgan. expression of feeling calculated to impress the audience with a sense of truth , sometimes even at the sacrifice of literal fact . Q. What is Gesture ? A. Gesture is the movement of the limbs , in- cluding the hands , arms ...
Страница 16
... audience to accept his views . Q. What is Conversation ? A. Conversation is the art of developing a subject or subjects by means of speech . • It is generally limited in meaning to the wandering and idle chatter of human kind . It is ...
... audience to accept his views . Q. What is Conversation ? A. Conversation is the art of developing a subject or subjects by means of speech . • It is generally limited in meaning to the wandering and idle chatter of human kind . It is ...
Страница 24
... audiences . A. Invited guests at a theatrical or musical performance should politely take the seats indi- cated by their hostess or the persons in charge . By far too many guests selfishly drop into the seats nearest the place of exit ...
... audiences . A. Invited guests at a theatrical or musical performance should politely take the seats indi- cated by their hostess or the persons in charge . By far too many guests selfishly drop into the seats nearest the place of exit ...
Страница 107
... audience of about fifty persons : " It is no ordinary cause that has brought together this vast assemblage , " directing all the words in the sentence in the lengths in front of you , with the exception of vast and assem- blage , which ...
... audience of about fifty persons : " It is no ordinary cause that has brought together this vast assemblage , " directing all the words in the sentence in the lengths in front of you , with the exception of vast and assem- blage , which ...
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Чести термини и фразе
action Answer attitude audience body bowing breath called Celts character chest classic unities clavicular comedy consonant diaphragm drama Edward Eleanora Duse Émile Augier emotion English epiglottis example exercise feet fingers foot forward gait gesture Give glottis graceful habit Hamlet hand heels important indicates intercostal muscles knee language larynx last Duchess lips look lower lungs manners ment mental Merchant of Venice mind mither morality play mouth movement muscles nasal never normal voice palm persons pharynx phrase pitch play poise possible pronunciation quality of voice Question raising reading rehearser Repeat scene sense short shoulders Shylock slight slightly speaking speech stage stand thee thou thought throat tion tone placing tongue torso trunk Twelfth Night vocal cords vocal organs vowel vowel sounds walk weight Words for practice wrist wul ye
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Страница 113 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Страница 7 - I'll leave you till night; you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Giiildenstern. Ham. Ay, so, God be wi' ye :—Now I am alone. O, what a rogue and 'peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit...
Страница 115 - Angels and ministers of grace defend us! Be thou a spirit of health or goblin damn'd, Bring with thee airs from heaven or blasts from hell, Be thy intents wicked or charitable, Thou com'st in such a questionable shape, That I will speak to thee: I'll call thee Hamlet, King, father, royal Dane, O, answer me!
Страница 160 - E'en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene'er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will't please you rise? We'll meet The company below, then. I repeat, The Count your master's known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter's self, as I avowed At starting, is...
Страница 116 - Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it.
Страница 155 - Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and. curious volume of forgotten lore — While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. " "Tis some visitor," I muttered, "tapping at my chamber door — Only this and nothing more.
Страница 167 - Nor do not saw the air too much with your hand, thus; but use all gently; for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
Страница 117 - Make us glad according to the days wherein thou hast afflicted us, and the years wherein we have seen evil.
Страница 119 - Never, lago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont...
Страница 160 - The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace all and each Would draw from her alike the approving speech, Or blush, at least.