Shakespeare's Tragic SkepticismYale University Press, 1. 1. 2002. - 283 страница Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small--the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces. |
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... King Lear in the Tempest Tearing Off His Robes , c . 1761 ( Kendal Town Council / Abbott Hall Art Gallery , Kendal , England ) Printed in the U.S.A. Shakespeare's Tragic Skepticism This One DC5X - 9BC - UQCU.
... King Lear in the Tempest Tearing Off His Robes , c . 1761 ( Kendal Town Council / Abbott Hall Art Gallery , Kendal , England ) Printed in the U.S.A. Shakespeare's Tragic Skepticism This One DC5X - 9BC - UQCU.
Страница v
Millicent Bell. For all my loves : Gene , Tony , Meg , Kiki , Tim , Michael , Georgia , Rebecca , Alex Contents Preface ix introduction Hamlet , Othello , King Lear.
Millicent Bell. For all my loves : Gene , Tony , Meg , Kiki , Tim , Michael , Georgia , Rebecca , Alex Contents Preface ix introduction Hamlet , Othello , King Lear.
Страница vii
Millicent Bell. Contents Preface ix introduction Hamlet , Othello , King Lear , and Macbeth 1 one Hamlet , Revenge ! 29 two Othello's Jealousy 80 three " Unaccommodated " Lear 138 four Macbeth's Deeds 191 epilogue The Roman Frame 241 ...
Millicent Bell. Contents Preface ix introduction Hamlet , Othello , King Lear , and Macbeth 1 one Hamlet , Revenge ! 29 two Othello's Jealousy 80 three " Unaccommodated " Lear 138 four Macbeth's Deeds 191 epilogue The Roman Frame 241 ...
Страница ix
... King Lear , Macbeth , Julius Caesar , and Antony and Cleo- patra by the realization that much previous discussion tended to confine and reduce their variousness and contradictions . There has always been a simplifying readiness to ...
... King Lear , Macbeth , Julius Caesar , and Antony and Cleo- patra by the realization that much previous discussion tended to confine and reduce their variousness and contradictions . There has always been a simplifying readiness to ...
Страница xi
... King Lear and the Gods ( 1966 ) buried the idea that King Lear was " optimistically Christian . " Nicholas Brooke , in his 1979 edition of King Lear , observed that in this play " all moral structures , whether of natural order Preface xi.
... King Lear and the Gods ( 1966 ) buried the idea that King Lear was " optimistically Christian . " Nicholas Brooke , in his 1979 edition of King Lear , observed that in this play " all moral structures , whether of natural order Preface xi.
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Hamlet Revenge | 29 |
Othellos Jealousy | 80 |
Unaccommodated Lear | 138 |
Macbeths Deeds | 191 |
The Roman Frame | 241 |
Selected Bibliography | 279 |
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