a disquisition relative to the conveyance of sound: Farther by water folk may soundis heir, Quhilk in compact water of ane riuier Violent din the air brekis and deris, The water steirit, fisches for feirdness flies: And eik forsuith bot gif wise clerkis leis, When a man, says the poet, is deprest with melancholy, pleasure itself is converted into pain: and thus the melody which flowed in so heavenly a strain, only tended to augment my woe. His murmurings however are soon interrupted by the arrival of the court of Venus; which he describes in very magnificent terms. Venus is seated in a gorgeous car, attended by her son Cupid; who is strangely represented as a man well-formed, and of large limbs. She is accompanied by a band of musicians, whose divine skill even surpasses that of David, though the sounds of his harp are said to have overcome the evil demon that tormented Saul. Mars follows behind, mounted on a "bardit curser stout and bald :" Euerie inuasibill wapon on him he bair ; Hir knicht him cleipis quhair sa he ryde or gang. Here also are seen every renowned hero and heroine of scriptural, classic, and romantic story. On witnessing their disport and parade, he begins to exclaim against Venus and all her retinue; but is quickly dragged from his retreat and arraigned at the august tribunal of the goddess. Her assessors are Mars and Cupid. The accusation is redd by a clerk cleipit Varius," and the trial proceeds in due form. The prisoner pleads that he is a spiritual man, and ought to be remitted to his judge ordinary. But Venus is enraged at this appeal, and commands Varius to write the sentence of condemnation. In the midst of his consternation, the court of the VOL. II. F X Muses makes its appearance, and relieves him from his hopeless situation, when he has already begun to expect immediate transformation. Yet of my deith I set not half ane fle, As in a beir, a bair, ane oule, ane aip: Gif it alterit, and oft my visage graip. This new court consists of" wise digest eloquent fathers trew, and plesand ladyis of fresche bewtie." Some are engaged in rehearsing Greek and Latin histories, others in chanting to the lyre Sapphic and elegiac verse. Homer is the only Greek poet enumerated among the attend, ants of the Muses; but With respect to the genealogy of the Muses, all the editions which I have seen contain a very ludicrous error: Thespis, the mother of Musis nine. Douglas undoubtedly wrote Thespia. Thespis is known to every reader of Horace as an Athenian poet; but Thespia, according to some of the ancients, was the mother of the Muses. Neque aliud," if we may credit Natalis Comes, "est sane Memnon quàm memoria, aut Thespia quàm divinatio et divina cognitio: id apertiùs etiam declarant nominą illarum Musarum quæ fuerunt ab Aloëi filiabus cultą; Melete scilicet exercitatio, Mneme memoria, Aæde cantus." (Mythologia, p. 769.) Thair was the greit Latine Virgilius, Dictes, Dares, and eik the trew Lucane Thair was also the greit Quintilliane. Thair was the satyr pocit Juuenall; Of Thebes bruyt thair was the poeit Stace: Is blawn wyde throw euerie realm and place* : With mony Thair was Brunnell, Claudius, and Bocchace. Sa greit ane preis of pepill drew us neir, Geffray Chaucier, as a per se sans peir * The first edition of Pomponius Mela was published at Milan in quarto in the year 1471; but his celebrity had afterwards been augmented by the edition of Hermolaus Barbarus, who was cotemporary. with Douglas. Some of these names are sufficiently obscure or disfigured. By Flaccus Valeriane, Laurence of the Vale, and Claudius, we are undoubtedly to understand Valerius Flaccus, Laurentius Valla, and Claudian. The Gualterus whom he has in view is probably Walter Burley, a celebrated English philosopher who was born in the year 1275. In the time of Leland many of Burley's philosophical works were preserved in manuscript at Oxford and Cambridge ". His treatise De Vitis et Moribus Philosophorum was twice printed at a very early æra. Vossius, who had seen both the editions, represents it as abounding with errors which to us appear sufficiently ludicrous. The writer whom Douglas has classed with Æsop and Dionysius Cato, may be Allan of Lynne; who, among other works, is said to have composed allegorical and moral expositions of the sacred scriptures. He was a Carmelite Friar, and flourished during the reign of Henry the Fifth. Of this name however there was a more celebrated writer, Alanus de Insulis, a native of Germany, who flourished about the year 1300. The number of his compositions was almost infi y Vossius de Historicis Latinis, p. 515. z Leland. de Scriptoribus Britannicis, tom. ii. p. 354. a Balei Scriptores Britanniæ, cent. iii. p. 253. |