White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour: William Brown's African & American TheaterUniv of North Carolina Press, 2003 - 239 страница In August 1821, William Brown, a free man of color and a retired ship's steward, opened a pleasure garden on Manhattan's West Side. It catered to black New Yorkers, who were barred admittance to whites-only venues offering drama, music, and refreshment. O |
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LateNight Pleasure Garden for People of Color | 1 |
Hung Be the Heavens with Black | 29 |
American Taste and Genius | 57 |
Tom and Jerry Meets ThreeFingered Jack | 93 |
In Fear of His Opposition | 121 |
To Beor Not to Be | 157 |
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African American African Company African Grove Africanist Afro Afro-Jamaican Afro-New Yorkers American Theatre artistic assault audience August black actors black dandys blackface blackface minstrelsy Brown's theater Carib Charles Mathews circus City claims colored counterpublic cultural dance dandys and dandizettes dominant drama early national English entertainments ethnic Euro Euro-American Euro-constructed Euro-New extratheatrical Fawcett's Five Points free blacks Ibid identity institution Ira Aldridge Irish Irish Americans Jack James Hewlett Jonkonnu Lady Ann M. M. Noah major manager Manhattan masking Minor Theatre minstrel minstrelsy musical National Advocate Native Americans Negro nineteenth-century Noah's Odell pantomime Park Row Park Theatre Pinkster play playbill pleasure garden political popular production promenaders racial Richard Richard III rituals savage scene Shakespeare Shakespearean Shotaway slave slavery Snipe social song stage African stage Europeans stage Indian Stephen Price theatrical tion Tom and Jerry University Press Welsh white patrons whiteface whiteface minstrelsy William Brown working-class York Evening Post York Stage