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of the “ Heroic Epistle to Sir William Chambers;" and Mason's explanation left the suspicion uncontradicted.

Among his accomplishments, his critical knowledge of painting must have been considerable, for his translation of Du Fresnoy's poem on that art, which appeared in 1783, was finished at the particular suggestion of Sir Joshua Reynolds, who furnished it with illustrative notes. One of his last publications was, “ An Ode on the Commemoration of the British Revolution.” It was his very last song in praise of Liberty. Had Soame Jennyns, whom our poet rallies so facetiously for his Toryism, lived to read his palinode after the French revolution, he might have retorted on him the lines which Mason put in the mouth of Dean Tucker, in his “ Dialogue of the Dean and the Squire.”

" Squire Jennyns, since with like intent

“ We both have writ of government." But he shewed that his philanthropy had suffered no abatement from the change of his politics, by delivering and publishing an eloquent sermon against the slave trade. In the same year that gave occasion to his Secular Ode, he condescended to be the biographer of his friend Whitehead, and the editor of his works. .

Mason's learning in the arts was of no ordinary kind. He composed several devotional pieces of music for the choir of York cathedral; and Dr. Burney speaks of an “ Historical and Critical Essay

on English Church Music," which he published in 1795, in very respectful terms. It is singular, however, that the fault ascribed by the same authority to his musical theory, should be that of Calvinistical plainness. In verse he was my Lord Peter; in his taste for sacred music, Dr. Burney compares him to Jack, in the “ Tale of a Tub.”

His death was occasioned, in his seventy-second year, by an accidental hurt on his leg, which he received in stepping out of a carriage, and which produced an incurable mortification.


Aulus Didins, with Romans ; Vellinus and Elidurus, sons of the

British Queen Cartismandua.

Au. Did. This is the secret centre of the isle: Here, Romans, pause, and let the eye of wonder Gaze on the solemn scene; behold yon oak, How stern he frowns, and with his broad brown arms Chills the pale plain beneath him: mark yon altar, The dark stream brawling round its rugged base, These cliffs, these yawning caverns, this wide circus, Skirted with unhewn stone: they awe my soul, As if the very genius of the place Himself appear'd, and with terrific tread Stalk'd thro' his drear domain. And yet, my friends, (If shapes like his be but the fancy's coinage) Surely there is a hidden power, that reigns:

?Mid the lone majesty of untam'd nature,
Controlling sober reason; tell me else,
Why do these haunts of barb'rous superstition
O’ercome me thus? I scorn them, yet they awe me.
Call forth the British princes : in this gloom
I mean to school them to our enterprise.

Enter Vellinus and ELIDURUS.
Ye pledges dear of Cartismandua's faith,
Approach ! and to mine uninstructed ear
Explain this scene of horror.

Daring Roman,
Know that thou stand'st on consecrated ground:
These mighty piles of magic-planted rock,
Thus rang'd in mystic order, mark the place
Where but at times of holiest festival
The Druid leads his train.
Aul. Did.

Where dwells the seer?
Vel. In yonder shaggy cave; on which the moon
Now sheds a side-long gleam. His brotherhood
Possess the neighb’ring cliffs.
Aul. Did.

Yet up the hill
Mine eye descries a distant range of caves,
Delv’d in the ridges of the craggy steep;
And this way still another.

... On the left
Reside the sages skill'd in nature's lore:
The changeful universe, its numbers, powers,
Studious they measure, save when meditation
Gives place to holy rites: then in the grove
Each hath his rank and function. Yonder grots

Are tenanted by Bards, who nightly thence,
Rob’d in their flowing vests of innocent white,
Descend, with harps that glitter to the moon,
Hymning immortal strains. The spirits of air,
Of earth, of water, nay of Heav'n itself,
Do listen to their lay; and oft, 'tis said,
In visible shapes dance they a magic round
To the high minstrelsy.--Now, if thine eye
Be sated with the view, haste to thy ships,
And ply thine oars; for, if the Druids learn
This bold intrusion, thou wilt find it hard
To foil their fury.

Aul. Did. Prince, I did not moor
My light-arm'd shallops on this dangerous strand
To sooth a fruitless curiosity;
I come in quest of proud Caractacus ;
Who, when our veterans put his troops to flight,
Found refuge here.

If here the monarch rests,
Presumptuous chief! thou might'st as well essay
To pluck him from yon stars: Earth's ample range
Contains no surer refuge: underneath
The soil we tread, a hundred secret paths,
Scoop'd through the living rock in winding maze,
Lead to as many caverns, dark, and deep:
In which the hoary sages act their rites.
Mysterious, rites of such strange potency,
As, done in open day, would dim the sun,
Though thron’d in noontide brightness. In such dens
He may for life lie hid.


Aul. Did.

We know the task Most difficult, yet has thy royal mother Furnish'd the means.

Elid. . My mother, say'st thou, Roman?
Aul. Did. In proof of that firm faith she lends to

She gave you up her honour's hostages.

Elid. She did: and we submit.
Aul. Did.

To Rome we bear you; From your dear country bear you; from your joys, Your loves, your friendships, all your souls hold

precious. Elid. And dost thou taunt us, Roman, with our fate? Aul. Did. No, youth, by Heav'n, I would avert

that fate. Wish ye for liberty?

Vel. and Elid. More than for life.
Aui. Did. And would do much to gain it?

Name the task. Aul. Did. The task is easy. Haste ye to these

Druids : Tell them ye come, commission'd by your queen, To seek the great Caractacus; and call His valour to her aid, against the legions, Which, led by our Ostorius, now assail Her frontiers. The late treaty she has seald Is yet unknown: and this her royal signet, Which more to mask our purpose was obtain'd, Shall be your pledge of faith. The eager king Will gladly take the charge; and, he consenting, What else remains, but to the Menaï's shore.


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